Had another party last, and the guests were to be subjected to a number of Satanic ritual that are unspeakable in front of mortals like yourself. However, we did drink fine spirits and listened to a slew of new releases, and you are all invited to play them along with us.
Brownout Presents Brown Sabbath (2014)
I drop the needle onto this slab of brown vinyl and realize I am in for a massive treat. Black Sabbath tracks, lovingly and professionally covered by a psychedelic band with a full horn section and Afro-Cuban rhythms? Yes please! I can almost feel the power of the Dark One emanating from the record, and said Dark One loves trumpets. Once the band's awesome rendition of "Into the Void" kicks in, I know this will be the funkiest ritual yet!
Black Train - ST (2014)
The Bad Vibrations has been sending tormented sounds into the atmosphere for some time now, and their newest release from the dark-psychedelic punk rockers known as Black Train is another feather in their already full cap. When "Losing Time" reaches the ear drums of my friend Surfin' Mummy, he can't help but head bang his soaking bandages right off his rotting head. Look's like we have our first casualty of the night.
XTR Human - Atavism (2014)
Most ghouls fear synthesizers. It is a little known fact, but since many of us have been around for hundreds of years, we are slow to adopt new sounds. When this German band's EP comes on, the dark synth lines raise some eyebrows, but the tortured vocals and ringing guitar lines put the group at ease. This is clearly a tortured soul like us! "Dysfunction" is a beautiful song that could be enjoyed by anyone with at least one working ear.
Sunfighter - Golden Eagle of Illumination (2014)
This is the very definition of meditative music. You know, before that label was conquered by bad Nu-Age music. This Parisian band's opus was instrumental in opening the gate to another world; one we hoped would bring about Satan or some like minded demon. Unfortunately, all that came through was a slightly disposed Benny Goodman. He did enjoy this record, especially after a handful of acid.
Thursday, July 10, 2014
Wednesday, July 9, 2014
Caterwaulrus - eNVy yoU (2013)
Texas has an unfortunate stigma associated with it. To some, it's a state full of conservative, gun-toting, Christians... and to people like my mother, not to mention most of my family, friends, fellow Portlanders, etc... that's akin to being a criminal or an alien or worse.But, preconceptions aside, Texas also has a history of being a breeding ground for some great psychedelic music. Roky Erikson and the 13th Floor Elevators were out of Austin, a city that The Black Angels still call home. Red Krayola were from Houston, and so is the outsider musician, Jandek. The Butthole Surfers came out of San Antonio. Those are some severely psychedelic acts, and I'm thrilled to say that Caterwaulrus, which is the solo work of one John Michael Sherry, fits that lineage quite nicely.
"eNVy yoU" is not a rock record by any means. It's not a throwback 60's psych record either. If anything, it's like lo-fi bedroom pop but with broad stripes of psychedelic production. A fair comparison would be Animal Collective, but this is a bit stranger. Voices pan from left to right speaker and almost every track is drenched in delay, making this a good headphones record. It's got a drum machine at times, and is mostly acoustic, but with all the weird shit happening it escapes a "folk" categorization. I suppose if you could take what was happening in Daniel Johnston's head during his psychotic break and set it to music, it would sound like Austin's Caterwaulrus.
9 songs, name your price.
Caterwaulrus - eNVy yoU
Tuesday, July 8, 2014
Leggy - Cavity Castle (2014)
So I think browsing around perhaps the most calming activity I undertake. Specifically I do think at my job in a massive bookstore. I have been there long enough that I know where most every little item among the hundreds of thousands are found or at least likely to be, and the sort of thing we're likely to even have. Yet most days I lose about twenty minutes looking over the same side of the 3rd floor hoping the books I know aren't there may just be there this time. Every now and then, like when I look down and see the clock is at 11:11 and it strikes me an oddity, there is the book I've been seeking. Yet why haven't I just gone to another floor? Or to the other side of the 3rd floor where other topics reside within reach? Because this is the subject I know most, or so I tell myself, and it is comforting to know I got it early and for forever now.
Very much in the same way I like to imagine I have learned a thing or two about music, at least the genres I commonly listen to. This is to say, I know what I like and can say why I like it without getting myself confused too much. To this end I constructed a weird situation wherein I get this music funneled right to me in the form of submissions. Of course there is the stray album outside that comfort zone, and those are special because of their uniqueness. However, many fall together and I enjoy most everything we're sent a great deal.
Well, sometimes I get an itch, and I believe I don't want to read the same sort of literature I've become accustom to. Maybe I'll find something new and unknown to me, maybe I'll get why the fuck people like mysteries or books on model trains. With this same embolden attitude I wander the aisles of the internet, browsing bandcamp pages and soundcloud links feeling very proud that I seem to understand what these links mean, in an abstract sense, and select an album that looks enticing. Then it ends up being a genre that's frequently been submitted and I find that I've ended up on the same side of the 3rd floor again. So here we go, a lovely garage pop band of Cincinnati, Ohio. How predictable of me to find this irresistible...
My self-criticism aside, this band is pretty fucking sweet. They're quick and jaunty in delivery, with short, loud tracks. The singer does a fantastic job at making the vocals into the absolute highlight of the songs, even the lyrics are quite fine. They've got a good touch of the familiarity for fans of riot grrrl, late 90s garage rock and showy rock and roll, but never stress these to a point of annoyance. Instead Leggy serves to show how reinterpretation is at the core of artistic expression. Finally, I've been burning the candle at both ends with all the projects I've taken on, and I know I am due for a good old crash soon, but if I had to pick a soundtrack for this burn out, and I think it is fair to assume I do have to, Leggy has a place on it.
Get it here:
Leggy - Cavity Castle (2014)
Get it here:
Leggy - Cavity Castle (2014)
Monday, July 7, 2014
Shortbus 1999 - ST (2014)
It is hotter than the devil's ass and sweatier to boot here in California. When it gets this unbearable and the beach is out of reach, I dream of cooler locals. Sipping ice-cold drinks in full wool suits as the snow slowly falls on my face...what a dream!
Shortbus 1999 is a fun power-pop group from good old Russia, and I can't imagine a place that gets cooler temps than that. Lots of snotty jams pushed along with big power chords and loud amplifiers. All the while the band sings in their native tongue, something we are always supportive of around these parts.
Get it for free here:
Shortbus 1999 - ST (2014)
Shortbus 1999 is a fun power-pop group from good old Russia, and I can't imagine a place that gets cooler temps than that. Lots of snotty jams pushed along with big power chords and loud amplifiers. All the while the band sings in their native tongue, something we are always supportive of around these parts.
Get it for free here:
Shortbus 1999 - ST (2014)
Sunday, July 6, 2014
Space Rock Mountain Podcast 19 - Whaling in Mongolia
Subscribe to the podcast, and email us your comments/questions for free super-awesome prizes!
Submissions
1. The Brass Phantoms - Tell Me What's Your Game
2. Cretin Stompers - Cowboy from Mars
3. The Somersault Boy - The Music Died in 1999
4. Locas - Apology Quota
Lost and Found
5. Fog - Under an Anvil Tree
6. Les Mogol - Sunset in Golden Horn
7. Stolen Girls - Selectors
Life Through Music
8. Mercury Rev - Sudden Ray of Hope
Bumper Music:
Jar Height - Stego
Submissions
1. The Brass Phantoms - Tell Me What's Your Game
2. Cretin Stompers - Cowboy from Mars
3. The Somersault Boy - The Music Died in 1999
4. Locas - Apology Quota
Lost and Found
5. Fog - Under an Anvil Tree
6. Les Mogol - Sunset in Golden Horn
7. Stolen Girls - Selectors
Life Through Music
8. Mercury Rev - Sudden Ray of Hope
Bumper Music:
Jar Height - Stego
Saturday, July 5, 2014
EP Grab Bag vol. 66
The latest selections of EPs that I've heard. An assortment of submitted material and my explorations of labels that I've found interesting from prior submissions and poking around in the catalogs of. I feel like between Elvis and I that we burn right through the EPs we get sent, so I particular encourage you to send your band's EP in or tell your music making pals about it. They don't even have to be especially new, but it helps if they sound fucking sweet. Naturally, these are not in any order other than just what I clicked on first.
To be had here:
The Madcaps - The Madcaps (2014)To begin with a French lo-fi garage punk band, which is nearly without question something I'd be down to fuck around with. This EP was put out by the French label, Howlin' Banana that you might recall from the last Grab Bag with Qúetzal Snåkes. So anyway, this Rennes-based group has a far more retro sound that will invoke the 60s pop and rock. The songs are even sung in English, which lends to the feeling of mimicking the British Invasion. However I think it is in an irreverent, tongue-in-cheek attitude based on the lyrics. Yet all that said, I cannot deny for a fucking second that they songs are absolutely fucking amazing.
The Cruelest Animal - After The Waves Devour Us All (2014)
A submitted EP from a Los Angeles band that makes some heavy-duty tunes. Combining aspects of electronica and metal with things I am too oblivious to recognize these guys have made some music that is intense, full and as rhythmic as it is dissonant at times. It kinda sounded like club music for robots and hulks, and that is to say the only sort of club music there ever need be. I mean this shit got me pumped up in unexpected ways and each time left me thinking it could've been longer and I would have just kept liking it.
Pain Dimension - Brainwash (2014)
Bopping right back to France with this Parisian band. These guys have been associated with Cheap Miami, a label that is endearing itself to me every week lately. This EP is made up of fuzzy, loose psychedelia bringing constant bass, flailing guitar and distorted singing. Bluesy, incomprehensible, bass-heavy and energized enough to shoot a rocket into the air. This fits right into the sweet, sweet void that my soul has and makes me forget troubles. My motherfucking bread and butter, dogs. For real, I think if my heart beat to these rhythms I'd be a superman.
Calliope - ORBIS (2014)
Now I drop the closest to my home we'll get today with fellow Midwesterners from Milwaukee. When I put this release on for the first time I was like "yeah, could dig this..." and by the second track I was already thinking "shit, this is really damn fine." The vaguely country-punk vocals really charmed me utterly. Then the instrumentation's softly psychedelic vibe with a bluesy and purposefully retro sound sold me completely on Calliope. I must imagine to see them live is a real treat, and I don't mean that to take a thing away from the wondrous recording they've got here.
Genres:
electronic,
French,
garage punk,
lo fi,
Los Angeles,
metalcore,
psychedelic
Friday, July 4, 2014
Roselit Bone - Blacken & Curl (2014)
Fourth of July is here and it's time to blow shit up and cook dead things as we celebrate the surprisingly esoteric concept of "freedom". Some of us may actually feel some patriotism today, or even bother reflecting on everything that lead to the current state of things. But most will use the day off as an excuse to drink themselves into a stupor under the guise of national pride, letting the troubles of yesterday drown in the swimming pool while tomorrow perpetually worries about itself.
My own pessimism over the topic reinforces my love for the gothic americana of Portland band, Roselit Bone. Singer/songwriter Joshua McCaslin paints bleak imagery of a world that is dry and desolate on opening track "Slow Hot Death", where everything we thought would save us, in the end, didn't.
"Our idols will be melted down or crushed, as we pray to them to turn back the tide. Our hearts will fall like rocks into the dust, when we learn that they were never on our side."
This is a repeated theme in Black & Curl, where idolatries of religion and love are painted as uncertain crutches. The music has range on the country spectrum, much more now that the group features a several new members. This is a departure from Roselit Bone's previous configuration as a guitar and drum duo. Here the sound is lush and full, complete with a pedal steel player and horn section: an addition that lends a cinematic quality to a group that was already something quite special to witness live (see also their live record Live At Ella Street Social Club record).
I almost never gush over lyrics but those written by McCaslin are perfect for this style of music, he's like a rabid poet of the prairie. Everything is stronger about the music on this release... and even though I've said before I'll say it again here: this is the best band in Portland right now.
Roselit Bone - Black & Curl
"Our idols will be melted down or crushed, as we pray to them to turn back the tide. Our hearts will fall like rocks into the dust, when we learn that they were never on our side."
This is a repeated theme in Black & Curl, where idolatries of religion and love are painted as uncertain crutches. The music has range on the country spectrum, much more now that the group features a several new members. This is a departure from Roselit Bone's previous configuration as a guitar and drum duo. Here the sound is lush and full, complete with a pedal steel player and horn section: an addition that lends a cinematic quality to a group that was already something quite special to witness live (see also their live record Live At Ella Street Social Club record).
I almost never gush over lyrics but those written by McCaslin are perfect for this style of music, he's like a rabid poet of the prairie. Everything is stronger about the music on this release... and even though I've said before I'll say it again here: this is the best band in Portland right now.
Roselit Bone - Black & Curl
Genres:
americana,
apocalyptic folk,
gothic country,
Portland
Thursday, July 3, 2014
Cretin Stompers - Looking Forward To Being Attacked (2014)
What we've got here are an assembled forces of some garage rock notables. Cretin Stompers is a band formed by members of some of my favorite garage outfits of recent years including the Barbaras, Jay Retard, Magic Kids, Wavves, and The Delay. Those are some remarkable bands and for them to all be be connected does place some high hopes of the debut album, Looking Forward To Being Attacked. I do feel that they lived up to the expectations and have found the release to be most righteous in its fuzzy, high energy rocking. They get creative with the singing and play around with the song structures a bit, with some it getting strange and trippy, yet many of the songs unrecognizably lo-fi garage. It all begs for repeated listens as it seems like several albums bled into one another in a beautifully chaotic way. The vinyl is available from Hozac Records and I gotta imagine there a possibility of a tape version either rolling around in the works.
To be had here:
Cretin Stompers - Looking Forward To Being Attacked
Wednesday, July 2, 2014
The Somersault Boy - How To Do A Somersault (2014)
Hungarian 'sickpop' band the Somersault Boy put out this album just a couple of months back and I've been playing on and off ever since. Now, they bill themselves as sickpop, but that's not a term I'm familiar with, but what they sound like to be is high energy, low fidelity power pop. The songs are short, intense numbers with singing that is vaguely akin the pop punk of the 90s, in the best possible way. In tone and tempo they remind me Salt Lake City's Albino Father (whose latest album I can't believe I failed to write up but I should be able to fix that). Now, how this Budapest band sounds so dead on like they could be band from the middle of North America I'll never quite be able to wrap my head around. Guess I don't need to if I just wanna enjoy hearing it, which I most certainly shall keep on doing. Oh, and the album are is fucking great, right? Look at that wind up dino!
To be had here:
The Somersault Boy - How To Do A Somersault
Tuesday, July 1, 2014
Florida=Death - Post Information (2013)
Besides having a very awesome name, Florida=Death is a experimental music project from New Haven, Connecticut. The general feeling I got from the album was something between an existential crisis and watching art films while on sedatives, which really could be the same thing. The songs are a combination of electronically created effects and rhythms (or un-rhythmic sounds), spoken word and music samples, and ambient noise. How chaotic this comes off varies throughout the album, with it getting pretty bizarre at times. However, there are some calmer and more conventional sorts of tracks with even some having singing in the usual sense. Together this provides the album with a fine balancing act of tension and release but basically demands that it be heard in entirety or at least several songs in a row to begin to understand what Florida=Death is really like. I took the plunge, in fact I have taken several times over, listening to the whole album and each time it seems to show a bit more and get more interesting from it. Finally, they're put out by the very nifty Connecticut-based label Obscure Me Records, the same folks that released J. Chance and, with Double Pony Records, Spectral Fangs.
To be had here:
Florida=Death - Post Information
Genres:
avant-garde,
connecticut,
experimental,
noise,
sound art
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