Scenes of a City, Vol. 6: São Paulo, Brazil

The Brazilian village that would become the city of São Paulo was founded exactly 426 years before I was born. This has absolutely nothing to do with anything. But since we're nearing January 25th, I suddenly feel a connection to Brazil's, and South America's, most populous city (currently nearing 12 million people. That's like combining the populations of New York City and Madrid. Whoa!) As is the case in all of Brazil's cities, the contrast between the richest and poorest residents is stark. Kidnapping of affluent citizens is a common occurrence, so much so that the rich travel via bulletproof cars and even helicopters. São Paulo actually has the world record for city with most helicopters. The city's also home to an annual pancake cooking competition, so, you know... it can't be all that bad. 

Leptospirose - Tatuagem de Coquiero 

This record is a maelstrom of thrash punk reminiscent of bands like M.O.D, early Suicidal Tendencies, and Nuclear Assault. The genre is mostly known as Crossover Thrash which is a surprising and unfortunately mundane name for music that is fueled by pure adrenaline. That said, I don't normally go for music like this because I have enough anxiety as it is, but I've been enjoying this record a lot over that last half year, or so. Also available on vinyl, in case there's room in your library(and heart) for some Brazilian thrash. And let's not kid ourselves, there's plenty of room in both.

TRATAK - Agora eu sou o silêncio

Here we have an impressive full length of a more traditional Brazilian sound. The guitar playing and vocal style is reminiscent of bossa nova, but TRATAK more resembles the genre that immediately succeeded bossa nova in the late 60's and early 70's, commonly called "musica popular brasileira", or MPB (Brazilian pop music). The instrumentation is more involved than bossa, incorporating rock with occasional dustings of psychedelia (unlike the wilder genre of tropicalia, which was born around the same time). TRATAK could sit easily on a playlist with artists of that genre such as Edu Lobo or the wonderful Chico Barque. A gem of a find, if I do say so myself, and those with an affinity for older Brazilian music in general will enjoy this quite a bit.

Sweet Fanny Adams - Fanny You're No Fun

This EP was a surprise to me in it's simultaneous resemblance to both modern US indie rock but also post-punk of the late 70s, a genre that consistently piques my interest. I'll do one of these annoying comparisons that people want to shoot me for: it's like Spoon fronted by the lead singer of Cake with a distant essence of Gang of Four. Angry? Well, too bad. I wish I knew more about the group, not even sure if they're from São Paulo. Just listen to these four songs and enjoy them for what they are, fucking great rock songs. 

Caverna Central - HOFFMAN'S DEATH: Tribute to Philip Seymour Hoffman

Here's a wildcard that was too strange to not include. What we have is basically 8 very short experimental rock songs where someone shouts "Hoffman's dead!" over and over. The music isn't terribly interesting, and honestly sounds like it was all written and recorded over the course of an afternoon. The bandcamp page was created in February of 2014 so it's possible that these songs were recorded on the very day that Philip Seymour Hoffman was found dead. At any rate, it's a tribute to a great actor who died way before his time, albeit a bizarre tribute.

Chico Buarque - Chico Buarque de Hollanda, Vol. 3 & Vol. 4

Posting is hard without internet at home. Making the time isn't as easy as I thought it'd be, so bear with slow posts until I figure out a rhythm or breakdown and spend money I don't have on internet. Beyond the shitstack, I have still be listening to a bunch Brazilian music still. I can't be helped I guess. Chico Buarque was a real ladies man character that made music less outrageous than his contemporaries such as Os Mutantes, Caeteno Veloso, and the others I've posted here. However, he was fucking good at what he did and I have really liked listening to him in my spartan apartment. Technically his work has already been on the blog as he wrote some of the songs that appeared on Nara Leão's 1968 album that was recently posted. It isn't Tropicalia, certainly is some fine MPB and samba though.

To be had here:





Chico Buarque de Hollanda, Vol. 3










Chico Buarque de Hollanda, Vol. 4

Nara Leão - Nara Leão (Lindonéia) (1968)

I'm stuck on Brazilian music, if you haven't picked that up yet. Perhaps a phase that I'll revisit from time to time in the future, such as my fluxing interest in Finnish avant-garde. However, for now I'm gonna load this blog up with all the Brazilian greats I missed out on being raised in Anglophone America. Nara Leão is just such the artist that can undeniably be considered a great, in fact I read that her 1950s household jam sessions are sometimes cited as a birthplace of bossa nova music. She didn't rest with being on the forefront of one musical advent, as she joined the Tropicália movement in the 1960s. I stress again I haven't any Portuguese language skills, nevertheless I find her voice mesmerizing. You can be sure I'll be hunting down lyrical translations when it is slow at work this week. Anyhow, not as wild and psychedelic as Os Mutantes, but as skillful and lovely. Lastly, while the music might not feel as radical, the songs were written best Tropicália had to offer like Caetano Veloso, Gilberto Gil and Chico Buarque.

To be had here:
Nara Leão - Nara Leão (Lindonéia) [320 kbps]

Jorge Ben - Jorge Ben (1969) & Força Bruta (1970)

Jorge Ben is the non-radical, or at last less politically so, musician that partook in the Tropicália movement in Brazil and helped usher in MPB (música popular brasileira). Maybe that makes his story a little less dramatic than his compatriots Caetano Veloso or Os Mutantes, but he was every inch as fine a musician. More or less, because of his music bear the same degree of politics in it as theirs he was able to preform and produce without the military government of the time interfering as much and was therefore capable of maintaining an overt presence in the country. However, all this has been made known to me only through reading, as I really don't have a clue as to what any of them are singing about most of the time. I do enjoy foreign lyrics when I'm reading, especially something as heavy as an 65 year old biography of Emperor Napoleon III of France. Anyhow, I felt I'd left out this stalwart of Brazilian music and here are two albums of his I really that are contemporary to the other Brazilian albums I've shared already.

To be had here:




Jorge Ben [192 kbps]











Força Bruta [192 kbps]