Showing posts with label metal. Show all posts
Showing posts with label metal. Show all posts

Sunday, December 28, 2014

EP Grab Bag vol. 85

Finally a day off and no family obligations. Perfect time to spend an afternoon checking out all manner of musics sent in from all over. Not even two of these six EPs hail from the same country, nor to many of them really fit into the same genres, though I guess they often get close to it. Hope you enjoy them.

To be had here:
The Spectres - What Will It Be (2014)

A two-piece garage rock outfit from Pittsburgh. They're lo-fi, jangley and got more than a touch of the surf rock in their sound. The EP is eleven songs, but still only makes it to twenty minutes playtime, so you can just imagine that these are some short, sweet rock ditties. They get a pretty full sound by the drummer pulling double duty with a partial kit he plays with his feet as his wields a guitar, a real Mark Sultan move. Impressive for a new band, only been around from half a year from what they tell me. So hopefully there'll be more to come.

Swinging Balls - EP (2014)

Loud, howling, low-fidelity metal/punk from Coventry, UK. The noise they make is nearly as crass as balls on the album art are large. There's not so much as singing in the songs as something between a moan and a shout. In addition to this chaos they've thrown very sludgy guitar playing that provides a firm doom metal overtone to the whole effort. The influence Black Sabbath is obvious, so clearly that they labeled the second track "Sabbath," and it seems to be more akin to the early career of the heavy metal icons. You know, the real sweet stuff, and Swinging Balls does do a good job at making a homage without seeming redundant.

BlackboxRed - Beak to Beak (2014)

A duo from the city of Leeuwarden in the Netherlands who openly affiliates with a grunge sound. As I am still not sure what made a band "grunge," the post-grunge concept has eluded me as a genre I can recognize, let alone the "ghost grunge" they tagged this with. This isn't to say I don't like anything labeled as such, for quite the opposite as I think BackboxRed makes some compelling tunes. Beak to Beak in a powerhouse of an EP. Intense, fast and full of sounds that are simultaneously bleak and exciting. The songs are rocking and the singing is epic, she can really belt out some lyrics.

VidaGuerrilla - El Kreepo (2014)

Spain's VidaGuerrlia has been prolific lately, putting out four releases, all of EP length, since October. El Kreepo is the second one they've got out in December alone. What they play it is extremely fuzzy, to the point of nearly popping. The washed out songs lay between hardcore punk and garage rock in an way that's hard to describe be immediately recognizable when heard. Finally, I know they sent me a link to their album from July, but somehow I must've failed to post it because I can't find any evidence I did so.... Strange as I do recall hearing it and thinking it was mighty swell.

Glaze of Cathexis - Imaginary Beings EP

It is very rare for SRM to get submissions from Asia. I believe many can imagine why that might be the case, and in the exceptions to this it is mostly Westerners dwelling in Japan or Korea. This is the case for Glaze of Cathexis, a band headed by American ex-pat Matt Comegys and Australian native Scot Atkinson in Ueda, Japan. Imaginary Beings is a psychedelic EP with folk and electronic elements mingled within and is only one of a butt load of releases the outfit has put out and have available on bandcamp. Quite retro and at times far out, and very much worth checking out.

SARAJEVO - The double tailed devil (2014)

Named for the capital of Bosnia, residing in the capital of France. SARAJEVO appears to be a new affair, at least as far as their bandcamp presence is concerned. This two song release is just a mere sample of what I am sure they're capable of as it a well produced and excellent sounding as these couple of tracks are. Each are psychedelic songs with nicely washed out vocals and a well practiced retro style that manages to not be tired. Despite the vocals being blown out, it is clear they're in English, but I guess that is what often happens when you wanna make rock and roll. Wish these guys the best of luck and hope to get to hear more.

Saturday, December 27, 2014

Elvis Dracula's Winter Turntable - Part 1

Having a few days off has allocated ample time to really dig into some recent purchases that have been sitting next to my stereo. Here are my thoughts with links to the tunes.

Floating Flower - 1st and 2nd (1998/2014)
One of the many records that fits into the Acid Mothers Temple orbit. First released in the late 90s on a few cdrs, the band's releases are getting a proper reissue this year. Unlike many of the other AMT projects, Kawabata Makoto takes the back seat to these psychedelic folksters that have spent more than their fair share of time in India. Those "eastern" influences due give this release a different feel form some of the heavier psychedelic rock AMT is known for. I am surprised I never heard this stuff, but now that it is being made available again, it is worth a listen for any fan of trippy folk or psychedelia.



Iron Maiden - Piece of Mind (1983)
A truly indispensable metal act, but one I didn't really grasp until recently. When I was a younger lad, I had many friends into this band. They would adorn their denim jackets with images of the band's mascot and talk endlessly about how no band could touch Maiden's 80s output. Although they were often dogged by conservative groups for promoting all kinds of satanic nonsense, I found the band's songs to be on the silly side. Punk rock with its political defiance and the overt Satanism of some metal acts in the 90s seemed more "real" to my youthful soul. Years later, I got into Prog rock in a big/bad way, and went back to Maiden with refined ears. What I found was a highly competent, theatrical hard-rock act that put together great songs, even if their sound appeared dated by current metal-heads. In many ways, this helped the band reach epic status by the late 2000s, as they continued to refine their original sound without pandering to tastes of the time. Iron Maiden is still rocking hard today, and have released a number of fine records in the last few years. This specific record is probably the best introduction to the band, but any of their 80s records are well worth your time.



Ada Yakusheva - The Best Songs 1979-1985 (1995)
Thanks to the Last Record Store in Santa Rosa, I have acquired some odd/rare Russian cassette tapes on the cheap. I have been playing through them a bit each day, and this artist has been the standout find thus far. From what I can gather, she was a bit of hit in Russia in the 70s and 80s, singing sweat and soft folk-songs in her naive language with guitar in hand. I don't know much about Russian folk music, but I imagine her stylings were influenced by many artists crafting minimalist folk tunes in France during the 50s and 60s. Very beautiful music that even your grandmother may enjoy.

Unfortunately, she died a few years back. Since she is generally unknown here in the West, the chances of having her music reissued is quite low, but at least it can be heard digitally.


Thursday, April 10, 2014

Spirale - Labirintas (2013)

To be blunt, this is me stepping outside of my usual realm music I know something about and have spent countless hours listening to. I haven't ever been indoctrinated in the finer qualities and aspects of metal nor have I many emotional ties to the genre, really only listening to one band that could be called as much, that being Black Sabbath and then only the early stuff. Nevertheless, I felt like it would be good to give this album a listen. While it is still not what I usually would seek out, I guess a perk of being a music reviewer is getting a chance to hear all sorts of shit, and I was not disappointed in selecting Spirale. Sure it is heavy, guitar-blasting and rapid I didn't find to lack many of the qualities I enjoy about both garage and post-rock. Of course, this is more experimental metal with influence of math rock and prog, so I knew that'd be all slanted in my favor, but I don't think I should discount how much I liked this hard and fast rock. It's laced with spoken word bits in various languages and bass lines that made me smile. I was genuinely pumped by the end of it and I would be curious to hear what the those of you more acquainted with metal have to say about it. Does remind me a little of Matmos, Maserati and their ilk but naturally a bit heavier still. Not of usual cup of tea, but one I very well could revisit.

To be had here:
Spirale - Labirintas

Sunday, November 4, 2012

Direwolves - Me From Myself to Banish (2012)

Not sure why, but it seems like I have posted a great deal of music from France as of late. The music you are about to hear sounds little like the tunes posted with that tag however. Direwolves sound nothing like a French cafe serving espresso and croissants, unless it is one for the dead in hell. This is hardcore at its loudest and darkest. I am reluctant to call it Black Metal, but it does carry some of the darkness that genre is known for. "Reach This Hand" is my favorite track on this LP, as it rocks with its cock out. This is throaty and destructive music, well recorded and composed, and released on the always reliable Throat Ruiner label located in Saint Brieuc. If there was ever to be a band on a label called "Throat Ruiner," it would be Direwolves. It is a good thing they have socialized medicine in France, because the vocalist is going to need medical help following each performance.

Get it for free here:
Direwolves - Me From Myself to Banish (2012)

Thursday, May 17, 2012

Assorted Spilts

I've gotten enough split EPs in lately I've decided to make them into a post of their own instead of throwing them into the EP Grab Bag (cause even at my ideal bimonthly rate there's more than I can reasonably post). So here three release with six bands, like a bunch of double barrel shotguns staring you in the face.

To be had here:
War Party/Doom Ghost - Lo-Life Recordings: Love at First Fight vol. 1 (2012)


This spilt put out by the small label Lo-Life Recordings features two lo-fi rock acts with sinister names. The first three tracks are by War Party, whose sound is somewhere between shoegaze and pop-rock. Makes me think of another submitted act, Fun Guns, which is good for I've really been digging those cats still. Second three are from Doom Ghost and are more eclectic. Starts with a garage rock song, a British-esque rock number (think Follying Molly), and one's a shimmery lo-fi pop ditty that invokes the Beat Happening. Must admit both bands are impressive and a finely complimenting spilt.

Mother Night/Dropouts - Garbage Fire Spilt (2012)

More from the several times featured band, Mother Night, but this time with friends sharing the bill. The two bands contrast more strongly than the previous spilt. Mother Night plays their finely done math rock, especially well on "Uprising of the Beast." The Dropouts on the other hand are some intense, abrasive metal that'll packed to the gills with powerful guitar and hollering vocals. A palate cleanser for sure, yet enjoyed by even a non-metal fan such as myself.


The Top Grossing Films of 1984/Nate Henricks - Hang Out Lay Low (2012)

Another returning artist, Nate Henricks, shares more of his E6-style lo-fi psych-pop. This time with an epic track that exceeds 15 minutes. The Top Grossing Films of 1984, other than bearing a lengthy name, are a minimalistic lo-fi psych-folk that has qualities of Weird America stuff. For whatever reason the split this release into their respective bandcamp pages so to get it all you've got to go to each, so just click on each name to get there.