Showing posts with label klezmer. Show all posts
Showing posts with label klezmer. Show all posts

Monday, January 5, 2015

Scenes of a City, Vol. 7: Bern, Switzerland

Someone might be connecting the dots as to which cities I tend to choose, not necessarily remote or obscure cities, those might be too hard to pull off still even with sharing on the internet as it is. However, I tend to like the second city of a nation, not the capitals nor largest by population (my method has nothing to do with Larry's amazing picks). And again my choice today is the second most populated of Switzerland, Bern. Constitutionally Bern is the "federal city" rather than the capital, as the ever-neutral Swiss even avoided proclaiming a capital city. Bern like many places in the Western world has an abundance of hip-hop and dubstep to choose from, but fuck that noise. I don't know shit about that shit at all and furthermore I am hunting for the lo-fi, the eccentric and the folksy at all times. So here's what I genuinely enjoyed digging around for albums from Bern and they reflect the Swiss position as a modern, globalized state and haven't much at all to do with being Swiss in particular as much as European or more broadly Western.

To be had here:
Silver Firs - EP#2 (2014)

This is the band that provoked me to do a post on music from Bern. Silver Firs began with some singles but now have released two EPs, of which this is the latter obviously. Both this and the first EP are fucking wonderfully upbeat, largely instrumental songs that pull from various folk sounds from around the world to create a psychedelic, dream pop soundscape. The music is astounding in its ability to wake me up and get me going. I have really been enjoying listening to them with a beer or two as I try to plow through whatever piece of fiction I have decided to read.

Molotow Brass Orkestar - Asoguet (2013)

A band that plays gypsy and klezmer inspired music that emphasizes the brass instrumentation something that is unique to Bern by any means. Eastern European music has a definite allure to the West that's not to be underestimated. Just of the top of my head groups like A Hawk and a Hacksaw, the Instruments and Black Ox Orkestar pop to mind. Nevertheless it is something that I can't tire of. Molotow Brass Orkestar does a job that is on par with all of the previously mentioned acts, and that isn't anything to scoff at as they're all amazing.

The Tides - The Tides (2011)

The Tides have a most righteous lo-fi rock vibe going on.  The tags on this album are nonsense like "alternative" and "noise" as the former means nothing and the latter is inaccurate for this band. I am not sure what to tag it, but the playing reminds me of these post-grunge bands I've been hearing more of. Sung in a deep, accented English employing light echoes and a few psychedelic techniques it has a foreignness to it this is very subtle yet incredibly charming. If not for exploring what Bern had to offer I'd have surely missed out on this band, and it was have been a tragedy for they're most righteous.

Magnetfisch - Lieder Maximo (2014)

Could I leave out some crazy snyth-driven instrumental music? Not likely, they do speak German in Bern after all, so you gotta suspect they have some snyth-lovers. Truthfully, the band is a trio with a bass, guitar and synthesizers from a veteran band, they state this as their eleventh release. All the experience must be paying off, for they've got the four songs of this EP tightened down into a very cohesive new wave electro-pop display. While I thought all the tracks were good, I really felt my ears perk up when "Lennitz" came out of the loudspeakers. Very stylish, and almost spooky at moments, like a crazy 80s movie.

Tuesday, July 22, 2014

Scenes Of A City, Vol 2: Vilnius, Lithuania

Vilnius is the largest city and capital of the eastern European country of Lithuania. Situated on the east side of the Baltic Sea, the city used to draw comparisons to Jerusalem for it's once strong Jewish population, since obliterated during WW2. Actually, it's suffered a near constant barrage of invasions for hundreds of years, from the Nazis to the Swedes. Despite this, many beautiful and historic buildings still exist there, making this a city I would love to visit some day. Plus, beet soup is a major staple there. And I fucking love beets.

In 1995, four years after finally securing independence, Vilnius raised the world's first bronze statue of Frank Zappa.

So this must be a crazy city full of crazy music, right?

The Sold Outs - Basement For Me
The Sold Outs are a recently defunct punk band out of Vilnius. Crazy good is the only kind of "crazy" this band delivers. They keep it old school, eschewing the Manic Panic-induced pop sentiment that just about killed punk dead in the mid '90s. Which isn't to say that The Sold Outs aren't melodic. I don't know the tiny sub-genres that the umbrella of punk covers: maybe this is "oi" or maybe this is "hardcore". I'm not so concerned with knowing these slight discrepancies. Instead, I'm concerned with getting "Basement For Me" onto my iPod pronto so I can blast my eardrums with this full throttle punk rock loudly and frequently.

Zageron - S/T
I'm not too familiar with the genre of death metal either. But I think the reason I find Zageron so appealing, is that they're almost a perfect combination of the two death metal bands I liked 20 years ago: Entombed and Obituary. I'm reminded of the former in the background band's delivery, and the latter in the vocals. But whereas the lead singer of Obituary sounded like a pissed-off jaguar, this guy sounds more like an evil Cookie Monster with a bad case of indigestion (too many cookies). The drummer is an absolute juggernaut, veering from full on assault to triplets and waltzes. That's right: death metal waltz.


Banda Dzeta - Short and Loudly

This band is pretty much exactly what I hope to find when searching for music from different countries: traditionalism fused with modern elements. Banda Dzeta do just that by layering Lithuanian folk music with beautiful and schizophrenic horn arrangements, over an incredibly heavy bass guitar. To my ears, it sounds a bit like Les Claypool playing with a John Zorn klezmer/polka group. Mostly instrumental, entirely crazy. Tuba solos!


Bruzgynai - Visur Visada Visaip
Here we have a most bizarre record, comprised entirely of strange digital noises. Track one, for example, sounds like R2D2 having pillow talk with an Atari. I'm happy to share the work of Bruzgynai because it's unique in it's noise-scape experimentalism. At times harsh, at other times quiet and eerie, you might put on "Visur Visada Visaip" while watching Lars von Trier's "Antichrist" and the craziness of both might temper each other, offering an almost pleasant viewing experience. Or you might just have found the ultimate fuel for countless nightmares.

Wednesday, May 4, 2011

A Hawk And A Hacksaw - Cervantine (2011)

Jeremy Barnes's collection of musicians has released another fantastic album. Cervantine is the fifth A Hawk And A Hacksaw proper full-length, if the collaboration A Hawk and A Hacksaw and the Hun Hangár Ensemble isn't counted. To my ear it sounds like the band has gotten even bolder and quicker in the composition of the songs, certainly faster paced than 2009's Délivrance. For the unfamiliar, A Hawk And A Hacksaw, is one of many projects involving Jeremy Barnes, who notable was a member of Neutral Milk Hotel. Formed with Heather Trost, expanding accordingly since, it has been their main outlet for the last decade or so. Pulling influence from Eastern European music of Balkan and Jewish Klezmer, the band has relocated to Budapest since formation. A perfect segue for me to mention that I am going to Budapest, along with several other Central European cities for the bulk of May. To accommodate the blog and give people something to look over I have written some posts that'll appear periodically while I am traveling, just need to be looked over my buddy b to make sure I wasn't too terribly sloppy. Maybe he'll chime in with some noises he fancies.

To be had here:
A Hawk And A Hacksaw - Cervantine [320 kbps]

Tuesday, May 27, 2008

Black Ox Orkestar

Every now and then a band has too much uniqueness even fit in with regular indie discourse. I feel like Black Ox Orkestar is one of those bands. Klezmer music is not something I've had any experience with in my life, nor anything to do with Yiddish. The songs crafted by the Montreal-based veterns that make up Black Ox Orkestar certainly bear out that they have. Pulling several members from Thee Silver Mt. Zion Memorial Orchestra & Tra-La-La Band and one who was also in Godspeed You! Black Emperor, these guys have weighty post-rock credentials. However, this undertaking is not post-rock, but rather is a folk band throughly soaked with Jewishness. Their songs are sung in Yiddish and are about (or reworking of songs from) the dispora, specifically the Ashkenazim. As I understand it, they're attempting to place traditional Jewish musical culture into their contemporary lives. The well-versed musicianship of the members shines prominently throughout their albums. The mood of Ver tanzt? meandering and calm yet provoking as good folk music should be, whereas Nisht Azoy features more percussion and group singing to achieve the same end. The Yiddish lyrics gives the music more cultural grounding than the previously posted A Hawk And A Hacksaw, but I don't think it is fair to compare them too sharply as their goals are far from the same. I suggest this album for any persons who are partial to lovely folk music or something different even if you've no knowledge of Judaic culture.

To be had here:




Ver tanzt? (2004) @ 192 VBR kbps















Nisht Azoy (2006) @ 224 kbps