Showing posts with label darkwave. Show all posts
Showing posts with label darkwave. Show all posts

Thursday, November 27, 2014

EP Grab Bag vol. 82

This here is a clean up Grab Bag, thing I meant to post early, sometimes much earlier yet to do my poor organizational skills on the computer I lost track of completely. I find it ironic that my day job is keeping a warehouse of books, counting somewhere around a million titles, in order and to retrieve them at a moments notice, but ask me to make a logical set of subfolders on my macbook and I fail utterly.

To be had here:

Sadly misplaced this EP in the shuffle of submitted material from the last few months. NO/NO are from Milwaukee and play new wave inspired post-punk. The bandcamp page is full of wonderful tags like coldwave, dark wave and shoegaze which are more or less unexplainable. What I can elucidate on are the eerie singing, done in a near-falsetto at times and suitably subtle enough to let the instruments shine. The guitar, keys and drums are equally the stars of this EP, really swirling into a most excellent coaction of post-punk glamor.


There are but two songs I nearly overlooked on this release but when you listen to it you'll swear there are more. This is due to the shifting tones present in the tracks, which seems to be unified by little more than an awkward bizarreness. The second track is a gloomy folk song that is exceptionally curious after the exceedingly erratic display that is the first song, "Driving Horse (Gluten-Free Listening Guide)." They also wanted to share their EP from last year, Go Exist, that is also very strange and confusingly evocative.


Divine Intervention Now is from Philadelphia and has made a strange EP that is quite suitable after hearing Creature from Dell Pond. It also has some folk aspects, notably acoustic guitar parts, in the mix, and very weird lyrics. All of it is sung in the deep, gravely voice and accompanied by a nice array of guitars, drums, chimes, horns and other wind instruments that make it like a dream one might have after drinking a bunch of coffee, watching old movie clips and passing out. Though the chaotic features appear most obviously, with careful listening there's a firm bedding of distraught cultural catharsis being expressed in the songwriting.

Additionally, there's a little back story as to how I got my hands on this EP. After receiving an email that explain they want to send my a physical copy, which I am totally cool with, but I was surprised to see when I finally got my hands on it that the package had a miniature bible in it with the pages cut out to hold an SD card inside. Of course being a barely functional adult I didn't have a working SD card reader so I hopped in my car and had to ask my friend to tell me what was in this mysterious package. Then I mixed up which of the dozen or so downloads I made there up and could not even recall which came off the SD card, so it was delayed further. How I did so after seeing the album art is beyond me, but I guess better late than never. Sure, I could have hunted it down online from clues and the initial email, but if someone takes a knife to the bible to give you music, you use the fucking SD card.

Monday, May 27, 2013

Crystal Soda Cream - Escape from Vienna (2013)



The great folks at Totally Wired Records have a slew of good lo-fi and garage acts from just across the Atlantic pond, and Crystal Soda Cream is the newest gem in that line-up. Vintage synthesizers and a love for the early Goth sounds of the 1980s? Count me in!

“Escape from Vienna” is the record Joy Division would have made had they played a few too may Fugazi and Billie Holiday records in between studio sessions. This is dark stuff.  The sound quality is lo-fi in presentation, but the dense and somber tones that comes out of this record is what has required multiple listens on my part. “Sweet Doom” is the standout track in my opinion, and captures the band’s love for the whole darkwave scene. But if you are looking for a truly bitter journey, “Dead Again” is your anthem. Coming from the grave myself, this track sounds like a suicide note from a forgotten lover as they plunge into the sea. Thankfully, there are tracks like “Shades” that pull up the listener from the depths and give them a glass of scotch to enjoy as the dark comes and overcomes you with tomorrow’s lies. 

Get it here:

Monday, July 16, 2012

Broken Cups - Slaves Of The Grave (2012)

Just like I suppose the readership of this blog enjoys, I too find it a neat thing to get solid recommendations for what to listen to. So from the same lady that sent in Nohopekids and plays herself in Piresian Beach, we're all in good fortune that she's spreading the word about Broken Cups. Like the other two mentioned bands, Broken Cups are from Budapest and play some remarkable lo-fi rock. What's different is that they've got that snyth-heavy post-punk vibe in full swing. A force to be reckoned with as they play it, namely dark and almost creepy while being loud and catchy all the same. Can't claim to have a bunch of reference points for this sort of post-punk (though I wish I had more) but it reminds me of Teenage Panzerkorps most of all because of the singing my feeble monolingual mind can't understand. Central European languages can sound awful wild to my ears but that's really only a bonus. Like contemporary acts, for example Little Girls or Girls Names, they've got that rapid beat backing them up that recalls Josef K and Orange Juice of Scotland's heyday of post-punk yet also has they all-pervasive snyth that makes me think of Suicide. Basically, I wanna say these guys did it right and I gotta say thanks Zsófia, this certainly made my day.

To be had here:
Broken Cups - Slaves Of The Grave

Monday, November 21, 2011

EP Grab Bag vol. 9

Trying to keep on top of things. Damned cold makes me less eager to get to the library. Along with listening to the back catalog of Thrilling Adventure Hour podcasts eating into my leisure time. However, I have got a chance to hear these mostly sumbitted EPs, so a new grab bag is born.

To be had here:

Bonnet People - Demo(n) (2011)

The is a debut EP by Floridian band, specifically Fort Lauderdale. Jazzy, psychedelic, rock experimentation may be a good way to put it. Despite the large degree of dissonance to be heard on in these tracks, I really liked to listen to this while I worked away at reading a novel. Possesses a kind of lovely sedative effect. The sort that allows one to relax and enjoy noises or written words in my case at least.



The Heatheners - Slow Lineage EP (2011)

Out of Portland, The Heatheners are making some dreamy pop music that has a dark, romantic tone. Just a bit gothic, they've got it tagged darkwave, but I'm not to familiar with what that term means. I do know that I found it pleasant (as much as gloom should be) and well-produced. Moreover, they actually released two EPs this month, so check out the Nocturnes EP as well.




Spectrals - A Spectrals Extended Play (2010) [224 VBR kbps]

This one I uploaded myself, but I will admit I found it on another blog months ago, forgotten which exactly. Basically, a one-man band from England with noise pop/garage tendencies. Somewhat employees wall of sound, but really just the guitar is what I liked, especially the jingle that serves for the final track.





Narrow Sparrow - Snythworks (2011)

Hailing from Chicago, Narrow Sparrow sent me this EP because my posting Elephant 6 albums, namely my recent Apples in Stereo post. Therefore, I might not be off base in saying this band sounds like they're quite directly influenced by E6-style psychpop. They're otherworldly sweet and heavy on the snyth (if the title didn't give that away). Plus vocal effects out the wazoo. Happy to have had this send me way.

Friday, March 19, 2010

Blessure Grave - Learn To Love The Rope (2009)

Blessure Grave are a guy-and-girl duo from San Diego who make some wonderfully haunting music. This was another favorite of 2009 for me. The male and female vocals work great together, the guitars are perfectly dissonant in parts and then quite melodic in others, check the almost synthesizer like guitar on "Stop Breathing". This EP also features a cover of "City Lights" by the experimental folk band The Shadow Ring. This is "goth" the way it should be. If you like your post-punk a little on the darker side, then this would be a fine addition to your collection. Incidentally, the label this record was released on (Captured Tracks) is a veritable gold mine of great music and is also worth a look.

Check it out:
Blessure Grave - Learn To Love The Rope (2009)