Disco Doom - Mt. Surreal (2022)

Disco Doom is a Zurich-based band who have been active since 2002 when they released their first EP on their own record label, Defer Records. 20 years later, the band released Mt. Surreal - their 5th full length album - also released through their own Swiss record label but released in the US through Exploding In Sound Records out of Jersey City. 

I found out about this band as I've been recently obsessed the band Helvetia. Upon purchasing a Helvetia record on bandcamp, I see Disco Doom being personally recommended by Jason Albertini from Helvetia - who I would learn also played drums on Disco Doom's third full length, Trux Reverb, which was released in the US through The Static Cult Label, a label co-started by Duster's Clay Parton Albertini also played in Duster). 

So I give this album a listen and it's fucking great, as are the other releases by Disco Doom, who seem to only have gotten better with time. Weirdly enough, people don't really talk about this band. I can't find their album stocked in, supposedly wonderful, NJ record stores either despite being peddled by a local label. 

 

The band has an experimental indie rock vibe that's simultaneously minimal and psychedelic. They have moments where they are Built to Spill-esque if all the lushness was stripped away in favor of sparsity. They have toured with Built to Spill so this comparison might be too easy... I'm actually having a hard time finding a comparison. The music's very approachable but also slightly off-kilter and tense. Like Helvetia, they have a solid and steady rhythm section providing the canvas, but everything else ... the guitars, vocals and sonic ornamentation... is dripped and splattered across like paint from a saturated brush. It's not as chaotic as a Jackson Pollock, Disco Doom is more Pat Steir or Cy Twombly. 

Criminally underrated. 

8 songs.

Disco Doom - Mt. Surreal

Twisted Teens - Twisted Teens (2024)

I think the greatest thing an artist can do is embrace whatever has come before while pushing the dialogue forward. By adding an experimental element - an unconventional medium, technique, perspective, or tool - one can create something that stands out... something special.

Here we have something special. Within the first minute of the first track, you will understand why. Twisted Teens offer something immediately familiar, a kind of lo-fi, late-70s punk not entirely dissimilar to what you'll hear coming out of Australia these days. First, you'll note the vocalist, credited as Cas P. ian, sings with an appealing tuneful grit: a campfire ballad with a leather throat.... like Tom Waits meets David Bazan. But you'll also notice that the musty basement crunch of the opening track is balanced by something luminous - the glassy sheen of the pedal steel guitar provided by RJ Santos. And so, it is only fitting that it is Cas P. ian and RJ Santos on the cover of this, the band's first release. 

These 11 tracks are more than the sum of their parts, however. This is more than just "punk rock with a pedal steel" gimmick. There is clear history behind this songwriting and delivery, one that hints heavily at years of experience. Since 2004, singer Cas P. ian fronted Blackbird Raum, a well-known anarcho-folk punk band from California. The drummer from that group, Magnus Nymo, is also credited on the Twisted Teens record. Originally from Norway, Magnus also played in drums in a Norwegian black metal band called Forcefed Horsehead. RJ Santos, who is clearly an adept pedal steel player, has more of an online presence devoted to being a talented painter.

While the music on Twisted Teens varies from punk to country to classic rock, folk, and 90s indie rock, I don't pick up on that anarcho-folk punk element here (and certainly no black metal). In that way, Twisted Teens isn’t a reinvention of any genre... but it’s a reminder that familiar ingredients can still taste surprising in the right hands.

Twisted Teens - Twisted Teens

The Gobs - Eight Things at Once (2023)

 

Olympia’s The Gobs makes music like a raccoon trapped in a vending machine—frantic, confused, and somehow kind of inspiring. Their 2023 album, Eight Things at Once, is 24 tracks of synth-stabbed, tape-scorched punk that sounds like it was recorded in a porta-potty during an exorcism. Every song is under two minutes because any longer would be medically unsafe. “Adderall or Nothing” is what happens when your frontal lobe dissolves in a gas station bathroom, while “Get a Dog (That Can Kill Me If It Wants To)” is a love song, probably. “I Wanna Fuck the Moon” is either a metaphor or a cry for help—either way, it slaps. The keyboards aren’t playing along so much as heckling the guitar, like a drunk uncle at a little league game.

Listening to this album feels like licking a car battery during a lightning storm and glimpsing something vast and unspeakably cool. When you snap out of it, you’re barefoot in a Denny’s parking lot, your pockets are full of teeth (not yours), and you know, with a deep certainty, that something incredible just happened—something wild, beautiful, and slightly cursed, now pulsing just out of reach in the back of your brain.

The Gobs - Eight Things at Once

Cody Blanchard - HALLOWEEN EP VOL 1 (2020)

Here is an ode to Halloween from Shannon and The Clams guitarist/vocalist Cody Blanchard. It's a lean 2 songs, both covers, done with acoustic guitar and vocals. 

Blanchard's approach is perfect: taking upbeat, punk rock classics and conjuring each into a dark, cold folk song lead by his ghostly but beautiful falsetto. These covers are so good they might just become staples to your Halloween playlists for years and years to come. 

Released 3 years ago in the thick of the pandemic. Hopefully we will be getting a volume 2 sometime soon.

Featuring "I Don't Wanna Go Down To The Basement" by the Ramones and "Halloween" by The Misfits.

Cody Blanchard - HALLOWEEN EP VOL 1

Crimes - Good Hope (2011)

Late May is the time where I start to think about summer. Technically still spring, there are a few summer-esque things that occur in the next few weeks before the solstice. Honeysuckle will explode in the next two weeks, and with it the dizzyingly sweet fragrance. At the end of the first week of June, lightning bugs (or fireflies) will fill the evening trees with miniature constellations. 

This is also the time I inevitably start looking for my summer music. I don't know why summertime is associated with music... maybe almost probably (definitely) it has something to do with capitalism. But, like a parasite, capitalism lives in me and it feels natural to seek the summer record.

Good Hope is a good contender. Crimes from Minnesota, a 4 piece sharing the same lead singer of the phenomenal Loud Sun, recorded their debut LP Good Hope in 2011. It is reverb-laden, shimmering psych pop with a melodic and stoned vocal delivery that just makes me relaxed. These songs, much like those of Loud Sun, are like the "couch-lock" of music. Put it on and forget it's there, you'll realize 30 minutes later that you just came up for air and that you have been swimming, drowning in thought. 

You'll wonder where the time went. Their second release was written up by our old friend Elvis Dracula in his EP Grab Bag Vol. 32. Also an excellent release. 

If you live in the Minneapolis/St. Paul area, Crimes are playing a reunion show on June 3rd at Palmer's Bar.

Crimes - Good Hope

 

Past Lives - Tapestry of Webs (2010)

 

Growing up in a small city with limited resources for bands, one that was never included on anyone's tour schedule, was frustrating for a young me. Situated firmly between NYC and Philadelphia, you'd think that teenage me would have many options. 

Life wasn't like that, however.

Fast forward to my first experience living in a bigger city. My desire for live music was so pent up that every year I would bankrupt myself seeing live music. It was like a drug. I would get yearly bonuses that would all be dwindled 4 months, where I'd inevitably pull money from my retirement fund to cover rent. 

One of the bands I saw in this time was Past Lives. I was working with the bassist from The Thermals, who were opening, so I had the rare opportunity to see a show for free, and I loved The Thermals so win win. Then Past Lives takes the stage and within minutes my little mind was splattered all over the walls of the venue. 

Past Lives featured Jordan Blilie on vocals... a very recognizable voice in the music scene of the Pacific Northwest. I'd loved his earlier band The Blood Brothers, but didn't really follow Blilie's career or even know what he looked like. So immediately when he started singing I knew he was standing right in front of me. 

Tapestry of Webs is post-hardcore pushed up toward colorful melodicism and away from the dismal, grey vibes more indicative of the genre. The music is energetic and thrashing at times but also swings towards balladry. There's singing AND screaming. Guitars AND saxophone and... is that a clarinet or a bassoon in there? A wild, beautiful, inspired record that 13 years later is still giving newness to my ears. 

Past Lives - Tapestry of Webs

ISS - (Endless Pussyfooting) (2017)

 

Innovation in music isn't something ubiquitous. Meaning, not everyone truly succeeds at innovation with their art. Creation in and of itself is not ground breaking. Rather, one must be cognizant of what has come before to recognize the manicured, well-trodden path that lies before them. 

Then, one must avoid the low hanging fruit and go their own way. 

This is what ISS does with their take on punk. It's clearly coming from punk roots but when adding drum machines, samples, and minimal instrumentation, it veers towards late 70's/early80's post-punk but with the tempo and tenacity of hardcore. 

The lyrics also tend to be quite hilarious. ISS aren't a joke band, they're not out for a laugh. But the lyrics for example in the song "I Hate People My Age" are crass and antisocial but in a way that I at least find amusing and relatable... decrying the idiocy of of "$15 dollar donuts" and how their generation has "thoughts on modern topics that are all garbage" ... not to leave out the refrain, "I hate people my age, my heart is pumping rage, and my stomach's turned to bile... I pray my peers all catch West Nile"

A little harsh maybe but keep in mind this is punk rock from North Carolina... a state that has no shortage of enraged punk (see this past post about one of the greatest hardcore bands who also happen to be from NC). 

ISS are beginning to catch on, with this record being the one that grabbed my attention first. Maybe you will enjoy them as much as I do. All their records are worth listening to and purchasing. 

ISS - (Endless Pussyfooting)

Music for 4/20

420 is a dumb tradition in the United States that has to do with smoking marijuana. Every April 20th hundreds of thousands of college kids are making both dumb jokes and excuses to get blasted today. 

I used to be one of them, so I use the word "dumb" lovingly. 

Weed is a lot more accepted in the US today than it ever has been with stores selling it legally in several states. They are strange places, almost more like banks than, say, liquor stores. One does not browse at a weed store. The transaction is very business-like... almost cold. You wait in a line (or in some instances a waiting room) until it is your turn to order. You speak to a stoner (sometimes called a "budtender") who helps you find what you are looking for (weed, you are looking for weed). You get your wares and you GTFO. 

Anyway. Those days are behind me but no judgement if you took the day off to smoke a ton of weed and do whatever. May these records guide be your soundtrack.

Holy - All These Worlds Are Yours

Holy is from Stockholm, Sweden and they remind me of Tame Impala's Innerspeaker and Lonerism days. Swirling phased out drum fills and Beatles-esque vocals make this well-produced record one that I've returned to several times over the past several years.

Holy is solid, psychedelic indie rock. Also - a limited amount of vinyl remaining on this one.

2019 release on Punk Slime.

Dead Finks - The Death and Resurrection of Johnathan Cowboy 

Sometimes I gather so much music that I forget to listen to it. Popped this one on the jukebox the other night and boy howdy, a gripping rock record from a Berlin duo. Just straightforward punk that's more slightly more rock than punk to my ears but your experience may differ.

The chord changes are just slightly askew and I like how they double (triple? quadruple?) the vocal tracks. Will probably get this on vinyl.

For stoners who like IPAs with their bong hits.

Kadhja Bonet - Childqueen

Here's some gorgeous soul/jazz/r'n'b out of Los Angeles. I think it was during the initial phase of the pandemic that I went on a bit of a music buying spree and Kadhja Bonet was one that I bought several things from.

Chill music in case your mellow gets harshed. Track 4, Delphine, is at least worth 6 minutes of your day. Here's a great live performance of a song on a different release. 

Jogging House - Face

Another contribution from Germany. Here we have Jogging House from Frankfurt, which is the ambient project of one Boris Potschubay. Since getting into ambient music 3 years ago I've consistently enjoyed the music of Mr. Potschubay. The tones are warm and nostalgia inducing with touches of 8-bit grit. 

This is his most recent release under the Jogging House name. Good for zoning the eff out while doodling or whatever stoners do these days. I listen to it while doing chores on rainy Sunday mornings because like I've said before... I'm old now.

The Molds - Saltine (2018)

One of the most interesting things about Bandcamp is that it's truly a website for everyone: big names but there music on there of course, but so does the everyday person who records music but holds a completely different day job.

The Molds is the monicker that a guy named Matt Ojala uses to write and record rock music somewhere between Seattle and NYC (and maybe Charleston, SC) when he's not working in project development. 

The tracks are pretty lo-fi but punchy and loud. It's kinda punk and it's kinda throttling indie rock. The rhythms are strange... not in a time signature kind of way but in a "why is he hitting the snare drum there" kind of way. Try bobbing your head along to the rhythm. It's like being on an old wooden roller coaster ...it all works but in a jerky sort of way. 

Impressively good music from an obvious talent who ALSO just so happens to also develop affordable housing communities. Makes me wonder what the hell I'm doing with my life.

The Molds - Saltine

 

Mid-Air Thief - Crumbling (2018)

 

Here's a record that was, from what I understand, fairly huge in South Korea but is much less ubiquitous in the US. 

This is an electronic pop album, or folktronica as their Wiki page states but that's a word that makes me want to barf. Showing my age, I guess. If the blending of acoustic instruments with electronic instruments makes something folktronica, the description is apt, however reductive. 

The gorgeous melodies of this album, in the exchange between girl/boy vocals, and the playfulness of the dynamics.. the parts of the album that whisper and then swell into a prism of sound.. these are the things that earned this record Best Dance and Electronic Album of the Year at the 2019 Korean Music Awards (there's really no element of dance here, however). 

The acoustic bits, and the rhythms in part, are actually quite Brazilian. I'm not well versed in the genres of Brazil but I think I'm correct in saying this album is part electronica and part bossa nova. Maybe not throughout the entirety of Crumbling but it's definitely there. 

I stumbled on this album exactly one year ago and over the year, it's been my happy place. It got me through a bout with Covid, through hot summer road trips, and eased my anxious mind to a restful place. 

11/10.

Mid-Air Thief - Crumbling

Truly - Fast Stories... from Kid Coma (1995)

 

 A lot of people have strong opinions about the word "grunge". It's divisive because its one of the few music genres that doesn't have have definable sound. Pearl Jam and Tad are about as different as Jimi Hendrix and Judas Priest, but they both receive the label "grunge". 

The progenitors of the genre are nearly all from Washington state, and in fact grunge was also referred to as "The Seattle Sound", but if one uses that as a metric then both L7 and Stone Temple Pilots don't get included, which would upset many to the point of pitchforks and torches. Another interesting thing about the genre, if that's what we're calling it, is that none of the people credited with it wanted any ownership of the word. Punk bands proudly call themselves such. Not the case with grunge.

Whether they liked the term or not, Truly was a band from Seattle that no one in their right mind would debate calling grunge. For starters, the rhythm section features founding members of both Soundgarden (Hiro Yamamoto) and The Screaming Trees (Mark Pickerel), 2 of grunge's biggest bands. 

Frontman Robert Roth, the least known member, was actually very well known in Seattle's grunge community of the early 1990s. He was considered to join Nirvana when the band began seeking a second guitarist. Roth's voice actually brings to min
d Kurt Cobain during his most somber moments, and the nasal screeching of Mark Arm from Mudhoney when he screams. His guitar sound is incredibly dense and distorted but without sacrificing melody. Where Truly TRULY stands out is their incorporation of 60's sounds and song styles. "If You Don't Let It Die" almost sounds like The Kinks if they'd been a strung-out Seattle band in the 90s. A Rhodes piano featured on "Angelhead" lends a Doors-esque quality to the song's stoned feeling, not to leave out the use of a mellotron in the song's chorus, harkening to "Strawberry Fields Forever" (Roth would later earn mellotron credits on Built To Spill's Perfect From Now On).

Make no mistake however. While the songs on "Fast Stories... from Kid Coma" all have a psychedelic 60's vibe, the bulk of the sound is firmly rooted in punchy distorted rock music more akin to plaid shirts than paisley bellbottoms. This was producer Adam Kasper's first produced record... his other credits include heavier bands like Soundgarden and Queens of the Stone Age... and he would later go on to winning a grammy for Foo Fighters "There Is Nothing Else to Lose".

This album has been described as grunge music's lost masterpiece. It has also been called grunge's swan song. While it was released to critical acclaim, it seems like it should have been bigger. That said it is almost too weird for what MTV was selling at the time: the tides were shifting away from grunge and toward pop punk and grunge-lite bands like Silverchair. Truly was too dark and heavy for a world still hurting from the death of Kurt Cobain. But in retrospect, this album deserves to be listened to and talked about by those still interested in whatever grunge is (or was). It is a fantastic sounding record that feels like the 1990s. They say the 1990s are back... which is maybe true but you never hear bands like Truly anymore.

Truly - Fast Stories... from Kid Coma

Easter Weekend Music for the Whole Family (aka your audio escape from family)

 

G.L.O.S.S. - Demo

Girls Living Outside Society's Shit, or G.L.O.S.S. were a band from Olympia, WA that were absolutely fantastic. With all the current transphobic bullshit plaguing the US, it seemed only appropriate to post the first release by this trans-feminist hardcore punk band.

G.L.O.S.S. are no longer around but their impact and legacy will last generations, I'd wager. Especially as this nation moves in it's typical clunky and violent way towards acceptance. Just have to wait around for these old generation fascists to push up their daisies. 

This EP has 5 songs and all are under 2 minutes long. It's a very brutal release that gets the blood pumping. Perfect music to blast at your redneck neighbors while during their next confederate cook-out. 

Dolores - Peach Fuzz

Hailing from Madison, Wisconsin, the band Dolores caught my ears a few years ago despite their kinda terrible album art. The music is kind of a pristine, yacht rock meets psych-pop experience that is uniquely catchy. I mean it's like, mind-altering how catchy it is... it's weird. I'm not sure how to describe it honestly. 

It's maybe a little hokey... corny even. But there's serious talent at play. Singer Javier Reyes voice has such a clean tone he might as well be a '66 Fender Jaguar in human form. Since this band broke up, his talents have moved east to join another psych-pop yacht rock group out of Chicago called Post Animal, who are also definitely worth your attention.

Boise Cover Band - Unoriginal Artists

Here's a release that has been around for awhile but I only recently learned about it. 

Boise Cover Band is the band Built To Spill who decided to release some covers back in 2003. It's 7 songs and a nice little thing to hear. Built To Spill are one of those bands I could always listen to so to hear them perform a version of David Bowie's Ashes To Ashes, arguably my favorite Bowie song, is a treat. 

Both a Pretenders and a Captain Beefheart cover to boot. 

Not going to be your favorite thing Built To Spill ever did, but it's fun and maybe something you haven't heard. Also available on vinyl, if that's your thing.

Emahoy Tsege Mariam Gebru - Self-titled

Maybe Easter weekend is a shitshow for you. Maybe you're at the in-laws with your sister-in-law's husband whose a total energy vampire and bigot prick but everyone else loves him so you have to play nice. 

Well escape yourself to a bathroom immediately and take a dip into the soothing piano music of this Ethiopian nun whose original compositions are as relaxing as an unseasonably warm spring day... which have been in relative abundance out here in the wilds of central New Jersey (it DOES exist). 

Ms. Gebru recently passed away in late March at the age of 99, so she made it past the equinox with us. This is her spring. 

Music For Your Weekend

 

Nüshu - Sexe Étranger

Some of my favorite music over the past 10 years has come from the Montreal. It's to the point that, if I'm browsing music websites and I see a band from Montreal, I will drop everything to listen to them. 

I mean literally. My dinner will burn. My dog won't get walked. My son will go hungry. So of course, when I saw Nüshu's Sexe Étranger some through the pipeline, my family ate charred pizza that night. 

This release is wonderfully produced, the songs are unconventional rock in the best way, and I listened to the whole thing from start to finish several times this week. Maybe they will cast a similar spell on you.

Kendra Morris - Nine Lives I'm equally a sucker for modern soul. Kendra Morris is from New York City by way of Florida, but she sounds like she's from 1960's Detroit. 

Soulful, funky jams lay the foundation over Kendra's smooth and sultry vocals. It brings to mind other soul revivalists of recent such as Adrian Younge, Nicole Willis, and Daptone label artists. 

Ms. Morris is not a new-comer by any means, with an impressive list of collaborators including DJ Premier, MF Doom, and Ghostface Killah, she is both a seasoned musician and filmmaker to boot. She does great music videos, check out the awesome animation she did for this MF Doom/Czarface video.

Datach'i - Bones

One of the things I want to accomplish with these "music dumps", as the kids call them, is to explore other genres perhaps less familiar to typical Spacerockmountain fare. 

While rock music is my love, I've flirted heavily with electronic music in my day. Love me some Plaid, Venetian Snares, and Aphex Twin. Those are basically the only electronic groups I know. 

Luckily for me, this release by LA-based electronic artist Datach'i brings all those three references to mind. There's something truly beautiful about this record... melodically it's pretty obvious... but I also enjoyed reading about how it's a tribute of sorts to his recently departed father. Immediately engaging. 

Shitty Life - Limits To Growth

There are certain things that will grab my attention when looking through the vast ocean of music that is Bandcamp. One thing that will always catch my attention is album artwork that's clearly the insert for a cassette tape release. Music therein will be worth my time, nearly 75% of the time. The other is profanity. 

I cannot help it. Arrested development is not just a funny TV show, it's something that happened to me in my youth. Poop jokes never have fallen out of fashion for me, unfortunately for my wife. 

This is just a great Italian punk band that I have no notes for. The music is catchy and hard without the trappings of that pop punk schlock. 10/10.

Tropical Popsicle - The Dawn of Delight (2013)

 

Here's a record from the not too distant past. Now a decade old, this lone full length from a San Diego band called Tropical Popsicle features 13 blissed out tracks that are equal layers psych-pop and garage, with an icing of 80's cold wave.

You've heard it all before, right?

There's something just slightly better about Tropical Popsicle, however, than your average 2000-teens garage revival. The music pushes the nostalgia to include, not just the better parts of 60's psych but also 80's synth pop. The result is both simultaneously recognizable and new... in a different place and time, with the backing of a major label, Tropical Popsicle could have been huge. Maybe the same could be said for anybody. But then, would that anybody also have record artwork nearly as interesting? Ooh-La-La. 

Vinyl also available through Volar Records. $10 frikin' bucks!

Music For Your Week

 

Unwound - The Future of What

Yesterday I had the pleasure of seeing one of the best American bands from the esteemed Olympia, WA scene of the 1990's. 

Their sound is one of destitution, anger, madness, and beauty as well. But not in an overt, cartoonish, Deftones-esque way... which in my opinion is low hanging fruit aggression. Rather, Unwound embrace dissonance in both harmony and chord progression to create a musical environment that's grey and depressed, with moments of churning, wild, desperate ferocity. 

The Future of What is the band's third record, originally released in 1995. Many of their most beloved songs are from this record. 

Olimpia Splendid - S/T

Speaking of "Olympia", the self-titled 6 track EP by  Finnish group Olimpia Splendid, was a welcome find this week. Formed in 2010, Olimpia Splendid are a trio from Helsinki making lo-fi, fever-dream, DIY indie rock. It was easy for me to lose myself in this release, and by the time I got to track 4, I was like... hold the fuck on a minute... is this snake charming music and I the snake? 

The write-up on their bandcamp states it best "their hypnotic music is a mix of weirdly tuned guitars, muddy drum machine loops, whispering vocals and trash can delays." They are signed to Fonal Records out of Finland, which seems a treasure trove of interesting Finnish music, so stay tuned for more choice picks from that.

thur-gone - Before Time

Here we have a simple recording of one Daniel Thurgood Bromfield, simply playing a piano. And it's not Bach or Mozart or anything, but one person's musical wanderings around the keys. From the sound of it, it's an inexpensive set up, with the microphone picking up all ambient sounds of the room and house.

The house is known as The Campbell House. I believe it's a student house on the University of Oregon campus. 

It's an interesting recording, and one can clearly hear a dryer or dishwasher in the background, and the occasional door or conversation happening in an adjacent room. A snapshot of someone else's life that could almost be your own.

Diplodocus - Slow And Heavy

There are a lot of niche markets out there in the world. Bacon flavored vodka, turkey and gravy flavored soda, and this... dinosaur themed dungeon synth. 

When you hear it, it totally makes sense... much more than meat-flavored beverages, anyway. You can probably already image what this sounds like... slow thudding, ambient synths with the sounds of dinosaurs roaring in the background. 

In a sense... very slow and heavy. A conversation starter for your water cooler breaks, if that's a thing that people still do. 

I.D.A.L.G. - Post Dynastie (2015)

Here's a quick write up on a record that deserves your wildest immediate attention. 

I.D.A.L.G. are a garage-rock-psych band out of Montreal. The vocals are often male and female sing in French, often with parallel melodies, which brings to mind older era-Thee Oh Sees. 

Post Dynastie is their 3rd release as I.D.A.L.G., and here's the curveball: it's a psych rock ode to Quetzalcoatl. You know, the Aztec feathered-serpent deity that created the cosmos?

This record has stayed with my thoughts for years and was a frequent addition to my old radio show. Happy to have it on vinyl as well, which as of this writing is down to the last 2 copies. Enjoy the rest of your week, friends.

Music For Your Weekend

Blind Owl Wilson - Blind Owl Wilson

This interesting figure from American music of the 1960s has one of the most noticeable voices of that era. Most recognizably a singer for the LA-based blues rock group, Canned Heat, Alan "Blind Owl" Wilson gained accolades for his harmonica playing from other musicians of the era including living blues legends such as John Lee Hooker. 

This release by Mississippi Records compiles his most famous tracks from Canned Heat as well as lesser known tracks. Blind Owl's high register voice may most closely resemble that of crossroads blues guitarist Robert Johnson. Some who knew him suspected Wilson might have been autistic, though no formal diagnosis was given prior to his early death at the age of 27. 

OPSEC - Affordable Death

This is hardcore punk I can sink my teeth into. I can only judge punk bands by the quality of the singer's voice. I can recognize good musicianship but if the singer's voice isn't awesome, I will not be a repeat listener... just like Gang Starr made clear in 1994 when Guru said "If your voice ain't dope then you need to chill".

Signed to NYC's Label of Goods, OPSEC brings the aggression and voice that makes me want to keep this EP easy access when driving my beat up shit box around Newark. The singer's voice is similar to that of the Canadian hardcore punk band S.H.I.T., or maybe even the singer of The Peechees. If you need to work out some angst this weekend, may this be the soundtrack for your efforts.

Mamalarky - Pocket Fantasy

Brilliant and wonderful things often emerge from terrible occurrences... it's just the way things happen. It doesn't make those terrible things worth it by any means... it just speaks to the resilience and persistence of the human spirit.

Take Covid, for example. If Covid had never happened, Mamalarky's sophomore release Pocket Fantasy may never have been happened. They were already a band, playing around Austin and making waves. But then the pandemic happened and the band retreated to Atlanta to live in an old house and record what you have here: an inspired and inventive rock record with catchy songs that eschew pop conventions. It's experimental in song structure but recognizable in essence. Not sure what compares.

on4ward - In Rainbow Roads

Sometimes you need a conversation piece that not only piques one's interest but also pulls you in for the whole ride. Some individual out there in the world, going by on4ward, took Radiohead's 2007 In Rainbows and decided it needed to be redone through an Nintendo64 sound bank, "mostly sounds from Super Mario 64" as noted on the artists bandcamp page. 

It's interesting and this homage is one of detail and love. The hipster in me wishes slightly it was done in 8-bit sounds instead, but probably only because I never owned a Nintendo 64 so the sounds don't muster the nostalgia that one who DID own an N64 might get from this. Either way, it's pretty incredible and I look forward to what on4ward does next.

Print Head - Happy Happy & Hardcore Pop (2021)

From 2017 to 2021 I had a radio show at a college in a small Pennsylvania city. I'd scour bandcamp, drinking beer, using student loans to buy music so I could play it over the airwaves to weird 50-something hipsters that never left the valley or truckers just passing through town. 

Print Head was from that batch of music purchased from bandcamp. There's not much information that I can find about this artist. It seems to be the work of a singular person, Brandon Saucier. It's got that lo-fi, recorded-in-a-basement quality that I cherish. It's angular and dissonant while not being completely alienating, incorporating punk and garage into it's experimental song structures... all of which clock in under 2 minutes for the most part. 

This release combines two of Print Head's earliest releases: Hardcore Pop from 2019 and Happy Happy from 2020. Both were self-released individually on cassette, and then Spanish punk label Discos Perquébien put out the double release in 2021. Since these efforts, Saucier has released around 6 other tapes. That's 8 releases total in 4 years, NONE TOO SHABS, as they say (no one says that). 

This particular double release is on the Discos Perquébien bandcamp page which I will link below, but should you want to check out all the other releases of his (don't get your hopes up over cassettes, they're all sold out), click here to get to the Print Head bandcamp page.

Click below for the 25 track double release.

Happy Happy & Hardcore Pop

Music for Your Weekend

 

World Domination Enterprises - Too Bad (I Can't Control Myself)

This is a post-punk band active in the 80s that is currently pushing out unreleased singles on their bandcamp page. 

Here are two versions of this song. The "RnB" version is just my cup of tea. Playing it while driving will increase speeds by at least 20mph. The "Rangalanga box" version is also quite good, much more drum-machine bedroom post-punk which needs to be a genre explored more. 

HUSHPUPPY - Singles Club (Remastered)

Here is a repost of an artist named Zoë Brecher and their incredibly catchy lo-fi pop music. 

Worthy of reposting for several reasons: Brecher has been making waves lately, getting more notoriety and well-deserved spotlights. She sat in as house drummer for Late Night with Seth Meyers recently, and also recorded with none other than the state bird of New Jersey himself, Bruce Springsteen, on his latest 60's soul covers record "Only The Strong Survive". 

Also - when first posted on Spacerockmountain - there was only a digital and cassette tape version of this available. But now there is vinyl! Blue or Yellow. It being Bandcamp Friday, all proceeds go to the artist, so that's cool.

Vangas - Facial Tissue

I've been digging through stuff I downloaded years ago to find some gems I never wrote about here. Vangas seems tailer-made for Spacerockmountain because it's aggressive scuzzy noise rock. 

Coming out of Georgia, this band makes music that's heavy but experimental. Maybe Unwound meets Pissed Jeans gets you close to what you'll find here. 

And with track names like "I Have Three Faces and I Hang With Dogs" (which is an awesome track) and the over 9 minute closer, "Two Men Fucking" you have music that's fun for the whole family, really. 

Required listening.

Burger Shot - Small Town Glory

There is undoubtedly 99% terrible music on bandcamp so when something unique finds the ears, my brain becomes magnetized. I'm not a connoisseur of the Vaporwave genre, and this could not quite qualify as that, but whatever this is... I fucking dig it.

Burger Shot is from Jackson, Wyoming and a project between two individuals, billybob and drey. They tagged the music herein as "Americanawave" which feels accurate. The music is like modern country, slowed way down ala Vaporwave, and chopped minimally like a wedge salad. 

Have you played a record at 45 instead of 33 by mistake, and liked it better that way? This is the opposite experience. 

Helvetia - You shot past the moon scapegoat (2023)

 

Living in the near-mythical central New Jersey, a geographical location whose existence is hotly debated amongst state natives, I find myself frequently bemoaning my departure from Portland Oregon some 5 years ago. In fact, my decade living there in and of itself feels near-mythical - a life of reckless enjoyment full of intoxicants and rock music. Such a stark contrast to my life now...

The only thing gratuitous in my present life, however, is my commute to work. So much time on highways affords my ample time to listen to new music, at least. More often than not I seek new music from my old, Pacific Northwest home. 

Enter Helvetia, a Portland band who many know and love, especially if familiar with the group Duster, as both groups feature the musician Jason Albertini. Helvetia seems to be Mr. Alertini's personal outlet as principal songwriter and singer. 

Many of the releases are mp3 only, including this most recent release, You shot past the moon scapegoat. This was my entry to the bands discography, which spans nearly 18 years with over 20 releases (including split EPs with Built To Spill, which Jason Albertini was also a member of recently). 

This is a party that I am very late to.

I clicked with this music immediately. It's lo-fi and sounds as though it's made in a home studio. The songs have plenty of hooks and range from indie folk to more abrasive and noisy pieces. The song structures range from conventional to unconventional. There are themes of experimentalism and playfulness in much of the music on this release - a theme that extends throughout Helvetia's prolific and, frankly, stupefyingly brilliant discography. While trying to drum up comparisons to other bands/artists, I'm tempted to throw out references to Built To Spill or Pavement or even Velvet Underground - but even that doesn't quite do Helvetia justice. Mr. Albertini is of a class all his own, one that is more in line with the mad genius of R. Stevie Moore who is similarly lo-fi, experimental, and obsessively prolific. 

So highly recommended it got me off my ass to write a blog post after a long departure. 

16 songs.

Helvetia - You shot past the moon scapegoat