Showing posts with label progressive indie. Show all posts
Showing posts with label progressive indie. Show all posts

Friday, March 10, 2023

Music For Your Weekend

Blind Owl Wilson - Blind Owl Wilson

This interesting figure from American music of the 1960s has one of the most noticeable voices of that era. Most recognizably a singer for the LA-based blues rock group, Canned Heat, Alan "Blind Owl" Wilson gained accolades for his harmonica playing from other musicians of the era including living blues legends such as John Lee Hooker. 

This release by Mississippi Records compiles his most famous tracks from Canned Heat as well as lesser known tracks. Blind Owl's high register voice may most closely resemble that of crossroads blues guitarist Robert Johnson. Some who knew him suspected Wilson might have been autistic, though no formal diagnosis was given prior to his early death at the age of 27. 

OPSEC - Affordable Death

This is hardcore punk I can sink my teeth into. I can only judge punk bands by the quality of the singer's voice. I can recognize good musicianship but if the singer's voice isn't awesome, I will not be a repeat listener... just like Gang Starr made clear in 1994 when Guru said "If your voice ain't dope then you need to chill".

Signed to NYC's Label of Goods, OPSEC brings the aggression and voice that makes me want to keep this EP easy access when driving my beat up shit box around Newark. The singer's voice is similar to that of the Canadian hardcore punk band S.H.I.T., or maybe even the singer of The Peechees. If you need to work out some angst this weekend, may this be the soundtrack for your efforts.

Mamalarky - Pocket Fantasy

Brilliant and wonderful things often emerge from terrible occurrences... it's just the way things happen. It doesn't make those terrible things worth it by any means... it just speaks to the resilience and persistence of the human spirit.

Take Covid, for example. If Covid had never happened, Mamalarky's sophomore release Pocket Fantasy may never have been happened. They were already a band, playing around Austin and making waves. But then the pandemic happened and the band retreated to Atlanta to live in an old house and record what you have here: an inspired and inventive rock record with catchy songs that eschew pop conventions. It's experimental in song structure but recognizable in essence. Not sure what compares.

on4ward - In Rainbow Roads

Sometimes you need a conversation piece that not only piques one's interest but also pulls you in for the whole ride. Some individual out there in the world, going by on4ward, took Radiohead's 2007 In Rainbows and decided it needed to be redone through an Nintendo64 sound bank, "mostly sounds from Super Mario 64" as noted on the artists bandcamp page. 

It's interesting and this homage is one of detail and love. The hipster in me wishes slightly it was done in 8-bit sounds instead, but probably only because I never owned a Nintendo 64 so the sounds don't muster the nostalgia that one who DID own an N64 might get from this. Either way, it's pretty incredible and I look forward to what on4ward does next.



Sunday, May 6, 2018

Palm - Ostrich Vacation (2015)

Hello Spacerock mountaineers,

Inspired by Antarktikos' recent post, I've decided to "get the lead out" and also thrust my fingers at the keyboard in a violent manner, hoping it'll make sense in the end.

Palm is a 4 piece, modern rock band who formed out of the Hudson Valley of upstate New York. They've since relocated to Philadelphia, lucky for me as I've moved from the young adult playground that is Portland, Oregon to the senior citizen waiting room that is Allentown, Pennsylvania. Palm seems to tour a lot so I hope to get a babysitter for whatever day that may be in the near future (check their bandcamp page for upcoming dates - European dates as well).

Ostrich Vacation is Palm's earliest release available on Bandcamp, and it's their only "pay what you want" offering... which I love because I'm both cheap and poor. It was originally released on cassette, still available here, as a part of a 6 part, 6 band series collectively called "Organechs".

This release finds the band in their primordial stage, where they were honing their skills more as instrumentalists than vocalists. The crux of Palm's early era is dissonant guitars wired into a series of dizzying yet tappable drum rhythms. If we're talking about genres and how this sound fits into some sort of lineage, you can hear elements of post-punk and post-rock, but Palm has taken those leftovers and elevated them into a unique dish, and as their later releases would display they truly walk a line
between accessible and inaccessible like, perhaps, no other band I've ever heard.






Fascinating and always offering something new with repeated listens, Ostrich Vacation is like an impressionist painting of a band on their way to becoming skilled pointillists.


Palm - Ostrich Vacation

Thursday, January 1, 2015

Amazing Larry's top 10 of 2014

Just a quick disclaimer, not everything listed was released in 2014, just posted to the blog in 2014.

What a big year for Spacerockmountain:

-We saw the introduction of the Spacerockmountain podcast, which has progressed from tired and drunk ramblings to sober and thoughtful interviews with some of our favorite artists as well as reviews of movies.

-The Scenes of a City series where we profile fantastic releases from artists all over the word.

-And probably the most prolific posting in general thanks to the blog founder Antarktikos. Seriously, near daily posts thanks to that busy motherfucker.

That said, it's been a challenge for myself to listen to everything on the blog. I'd ideally like to do a top 10 of everything posted, but since I'm most familiar with what I wrote about, here's a top 10 from my own posts over the year, in order from best to bestest:


This is crossover thrash band from Sao Paulo, Brazil proves that it's not all about psychedelic, lo-fi, garage rock.... there's much appeal in that which is fast and furious. 



The Sin Veldt are like 70's Rocky Erikson meets The Stooges. It's blues-influenced psych garage from NYC that's got more blood, grit and piss than Jack White's latest kidney stone... or record... or whatever.



This Dayton, Ohio-based band blew my mind when I stumbled across them this year. Having first learned to be a ravenous music listener in the 1990's, it always surprises me when I hear newer music reminiscent of that time. The meandering and melodic guitar lines, the crystalline and poetic vocal delivery ...this band and this record set a unique mood that harkens to a time when indie bands weren't afraid to get a little moody and add some interesting architecture to their songs. 




Largely the solo project of Hunter Davidsohn, Underground River is music for a rainy day. I mentioned in my original post that it reminded me of coffee shop music. It still does, but like the fucking best possible coffee shop music. Like you went down to the cafe to read a book and drink an espresso but then this amazing songwriter starts playing on the pseudo stage and both your espresso and your blood go cold.



Didn't think it possible to love music like this at this point in my life. This band I first wrote about in my Scenes of a City post on the Lithuanian city of Vilnius. Zageron are just ridiculously enjoyable to listen to. I'm pretty sure the singer is Satan or at least Satan's first cousin. And I just love how the drums aren't blown out or ridiculously beefed up in the production like so many other death metal. And this drummer. Fucking shit. I love the drumming on this record.



Great Montreal rock band, I still stand by them being the perfect mix of The Strokes and Blonde Redhead. Great stuff that promises much more greatness in the future. 



A New Zealander by the name of Joe Sampson who may or may not run Melted Ice Cream Records is one of three behind this excellent self-titled by ChristChurch's Salad Boys. A rough diamond in the crown of that country's long history of pristine and clean indie rock purity. So damn good.



Yet another Montreal band that shook my world, Small Teeth bring something unique to their sound. It's mostly song structure, because the instrumentation is conventional rock band. But the band also stands our with vocal delivery. I'm pulling my hair out waiting for more recordings from this fine band. Please hurry the fuck up, Small Teeth.



I used to see these guys live as a 2 piece and they were amazing then. Now they have over 5 members and they are killing it. If out of town guests come to Portland, take them to Multnomah Falls, eat at a food cart, and take them to a Roselit Bone show. You can't lose.



There's no question in my mind which record is my favorite of 2014. Yet another fantastic release from eastern Canada, this time Grime Kings from Ottawa, just a short drive from Montreal. The recording project of Callum Runciman, a prolific and exceedingly talented songwriter and musician. It's rock music for those bored of rock music. Multilayered and strange, it's offers something new with each listen. If I had a record label and some money, I would throw it all at this guy.