Life wasn't like that, however.
Fast forward to my first experience living in a bigger city. My desire for live music was so pent up that every year I would bankrupt myself seeing live music. It was like a drug. I would get yearly bonuses that would all be dwindled 4 months, where I'd inevitably pull money from my retirement fund to cover rent.
One of the bands I saw in this time was Past Lives. I was working with the bassist from The Thermals, who were opening, so I had the rare opportunity to see a show for free, and I loved The Thermals so win win. Then Past Lives takes the stage and within minutes my little mind was splattered all over the walls of the venue.
Past Lives featured Jordan Blilie on vocals... a very recognizable voice in the music scene of the Pacific Northwest. I'd loved his earlier band The Blood Brothers, but didn't really follow Blilie's career or even know what he looked like. So immediately when he started singing I knew he was standing right in front of me.
Tapestry of Webs is post-hardcore pushed up toward colorful melodicism and away from the dismal, grey vibes more indicative of the genre. The music is energetic and thrashing at times but also swings towards balladry. There's singing AND screaming. Guitars AND saxophone and... is that a clarinet or a bassoon in there? A wild, beautiful, inspired record that 13 years later is still giving newness to my ears.
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