Showing posts with label twinkly. Show all posts
Showing posts with label twinkly. Show all posts

Monday, March 3, 2014

EP Grab Bag vol. 53



Well, I am hung over. All that post podcast celebrating resulted in a very inebriated state. Let’s hope some recent submissions will help me push through it. 

Things are off to a good start, as nothing cures a fuzzy head like some fuzzy rock. These lads are from Paris, and while they have released versions of these tracks on a previous release, this is record sounds more realized. Old metal heads who never got used to the post-Slayer era would feel right at home with the Mods and burnouts in this band’s fan base. 




I was a little worried when I heard the band’s name, but this is alright stuff. Twinkly, produced, instrumental post-rock that borrows from the well the Appleseed Cast dug on their Low Level Owl releases. I also have to give it to these kids: for living in Detroit, they come up with some very pretty music that surely sounds out of place in their neighborhood. 





Where is my bloody coffee? How can I have so many things to get me drunk and nothing to help bring me out of it? You might hear Mr. Svizeny’s music at a coffee shop where tattooed cool-kids hang out. Minimal drum machines meet fuzzy guitars; eat cake, and lay back to take in the secluded vocals. No need to hurry, it is a rainy day and all. 





I had a few assumptions come to mind when I received a release from a band called “Twink.” Little did I know that there was no probability I could prepare myself for what was actually in store. Toy instruments are used to create pretty little instrumental ditties. A children’s animated show could use some of this stuff, but to acid induced haze required to make such music likely wouldn’t go over well with the studio executives. 




I need to get myself out the door, so dwelling on a touring band may help get my feet moving. This British act is currently playing gigs throughout their homeland, and is preparing to drop a full length in the coming months. This single from said record (Young at Heart) is everything you liked about the early 90s English music scene, minus the Gallagher brothers. Highly recommended. 




This band is a lot like In-N-Out: they sell only 3 variations of their burger, but you don’t want more than that because they do it so well. I first came across this band when they put out a split tape back in September, but the 4 tracks on this EP have seen them get closer to a noisy, lo-fi aptness. Great vocal range and delivery from the front man, as the band knows just when to relax and let the lyrics stand on their own.  Keep it coming.

Sunday, September 8, 2013

EP Grab Bag vol. 41



I have been in a twinkly guitar kick lately. Might be that my band is finishing up a few new releases, and we definitely leave the twinkly guitar licks out. Doesn’t mean I don’t dig that type of thing, and Marc does it well. This surprisingly polished work does evoke some of the prettier Sonic Youth and Pavement tracks from the 90s,  this is bedroom pop from someone who knows their way around an 8-track. Very enjoyable stuff, and free to download to boot.

 
Producing pop-rock in Liverpool must be tough. A lot to live up to and all. Does the city permeate with Beatles nostalgia, or are young musicians free to create without the burden of excellence crushing their creative energy? The Swapsies may not live up to that aforementioned band’s skill, but they make some great clap-along pop jams. They even throw in a healthy dose of clapping with the recording to accompany the male/female vocal back and forth. It is fun, to the point, and need not be tethered to the past.

 
I love Fugazi. Not only is the band great musically, they continued to champion and articulate what a DIY ethics could be in music to the betterment of the world at large. Springtime come from Virginia, and there is little doubt they have also borrowed a great deal from the Dischord sound. Heck, they have a Fugazi cover on this 7 inch, which is great as far as I am concerned. Phat chords powered by Marshall amps and throaty vocals that don’t sound like high-schoolers trying to sound tough.

 
We don’t get many releases from North Dokota, and we rarely get someone name dropping Gorgias the Greek and Albert Camus the absurdist either. That can’t help but perk my interest, and thankfully the band’s sound is just as grand. Seamlessly crafted post-rock, these kids don’t let their literary repertoire get in the way of infectious music. “Banister” is my favorite track off this record, and while it is free to download, these folks are Kickstarting a vinyl release if you are inspired to pitch in.

 
I will be the first to say I don’t know much about the electro-pop scene, especially the vibrant scene in Europe. I generally like the music sonically, but the vocals leave me feeling wanting. This group from the Netherlands is about the same. If they worked on the vocal delivery, this could be some very enjoyable stuff, but as it is, most of our readers will probably skip over this single.  

 
 
 
I have been a fan of the Oakland label Constellation Tatsu for nearly a year, and they put out some great collage centered electronic experimentation. These people take this stuff seriously. This is not throw away music or attempts at pop music that turned out too messy to release. These are full-fledged ideas and rhythms that have captured my attention and appreciation even on my third listen this evening. Highly recommended stuff.