Showing posts with label art-pop. Show all posts
Showing posts with label art-pop. Show all posts

Tuesday, February 24, 2015

Scenes of a City, Vol. 9: Montréal, QC

Since relocating to the Pacific Northwest over 10 years ago, I've gotten soft about winter. The shortest days of the year are mild here, albeit a bit soggy. During the rare snowfall, even if it only amounts to an inch, I join fellow Portlanders as we collectively throw our hands up in the air and shout, "Fuck it ...can't drive!" And the city immediately shuts down (except for bars, of course).

That said, if I were mysteriously handed an opportunity to live anywhere tomorrow, I would likely choose cold and snowy Montreal. This is for a number of reasons. First off, I love maple syrup. I put that shit on eggs and pizza. Hell, I love eating food in general, and Montreal has the highest number of restaurants per capita in all of Canada, and is second only to New York City in all of North America. I've always said, if I were mysteriously handed an opportunity to be buried by a food, I'd want that food to be poutine.

Aside from going out to eat, I love going to shows, and Montreal seems to have no shortage of great rock bands at the moment. Some Montreal bands, recently covered here on Spacerockmountain, have ended up being my favorite things to listen to. These include Each Other, Jesuslesfilles, Small Teeth, and even though they're from Ottawa I'll throw in Grime Kings. It's an impressive roster and proves to me that Montreal is currently undergoing some indie-garage-psych rock renaissance... so let's dive in and see who else is in the mix.

Dories - Stripped
The breed of guitar-based indie rock that Dories master is not uncommon to other Canadian bands, I've found, particularly in Montreal and, perhaps, Calgary. Listeners might notice two, almost
meandering, guitar lines picking single notes over bass lines. The effect is almost wind chime-esque. And while overall songs are consonant, they are peppered with bits of disharmony. Dories play sophisticated and humble indie rock songs that eschew easy classification but do bring to my mind guitar-strong indie bands of the 90's like Polvo. "Small Circles" and "Caspar" are highlights.


Telstar Drugs - Weather Underground
Telstar Drugs are another band who employ the two guitar plucking single note aesthetic. Originally from Calgary, they seem to carry with them thicker, emotive sound akin to on of the best bands of the past decade, Women, who were also from Calgary. Telstar Drugs entire catalogue is fantastic and worthy of download, and I believe it's all free. This, their most recent release, is two of their strongest songs. Probably the one band from this whole lot that I will keep the keenest of eyes upon.


Future States - EP
A 5 piece with members from both Montreal and Ottawa, Future States harken more to the past states of indie rock, with songs reminiscent of other eastern Canadian bands from that recently bygone era, like Broken Social Scene and The Unicorns. 10 years ago, that's what I loved to listen to, so I immediately felt a kinship with this 5 song offering. Very melodic stuff, with excellent vocal harmonies to boot. While it's representative of that icy and beautiful Canadian indie pop, there are also sips of a sunny and effervescent Californian daydream; a brief departure from your winter.

Un Blonde - Habit Anything
Un Blonde is the solo work of Jean-Sebastien Audet. His music is lo-fi, experimental pop. These songs were actually recorded during breaks from recording his more proper full length called "Tenet". He writes in the notes for this EP that they are "frames of immediate expression", which I like, having been a songwriter in a previous life and remembering how some of the most interesting things happen when you relax expectations, relinquish control, and piss against the wind. Not that this is free jazz... free pop, maybe. From what I can tell he's well respected in the community, and getting some good gigs. Always nice to hear an artist playing music.


EDIT: I didn't do my homework! Turns out that Dories, Telstar Drugs, and Un Blonde are all connected and on the same label, called Egg Paper Factory.

Monday, October 27, 2014

EP Grab Bag vol. 78

This October has featured a heavy degree of returning artists and labels. I imagine it's those that have put me in their internet rolodex. I am happy see that people are responding well to the posts and that the musicians and persons running labels have felt it worthwhile to keep me in the loop with all their ongoing projects. If you haven't heard from me I am likely getting to it, but you can repeatedly email me. Some of you already do and I don't mind. Anyhow, here's the EPs I got in, some of them artists we've featured before, some even rather recently, to add the the train of Nate Henricks, Citradels, Sioux Trails and so on that've been so kind to share their music with us all to frequently.

To be had here:
NAYSA - Losing Weight EP (2014)

As promised this is a returning band to SRM, as I posted their wonderful EP, Troubled Heart, back in Grab Bag 62. Not to dis that prior EP, but this one is a incredible leap in execution. It among the most immediately likable EPs I've gotten all year. In the email alerting me to Losing Weight there's a mention to it being number one on a college radio station in their native Winnipeg. It does sound like college rock, meant in the very best possible way you might envision, the sort with a lot of indie pop influence. Only $4 Canadian, so that is like only some other amount in another currency (still cheap).

Ry Smith - They Don't Understand (2014)

What's this, Ry Smith so soon again? Yeah, pilgrims, his got an EP hot on the hells of his full-length, Rexroth, that I posted about just last month. So I downloaded this album without looking at a word about it, which isn't unusual for me, but that I recognized the first track as something I familiar with was abnormal. It took several moments for my dumb brain to realize that this was a Strokes song, and what is this? The whole EP is covers of Strokes songs? Yes, this excellent news is in fact what Ry Smith has gifted to us and it is awesome.

Lost Trail - Rural Entropy EP (2014)

A short experimental-ambient soundscape release. I mean it is brief, like five minutes, but it is priced accordingly as it goes for only a scant $1.25. It is a fine sample that could be a sign of a fine full-length to come. Additionally, I thought this might be something wholly new to the Grab Bag, but turns out I have posted the label that released this, two years ago, so thanks for coming back Silber Records, and sorry I posted stuff you worked on without mentioning you, but I am sloppy and very sleepy most of the time.


Slight - Spirit School / Tasting (2014)

Another Canadian band, yet this time from Montreal. Just two tracks, but more than enough to enlighten a listener to how they're making excellent hi-fi art pop. Yes, I can enjoy hi-fi music as well as my beloved lo-fi. Just so happens I'm multifaceted, like a gemstone, pilgrims. I found this pair of songs to be lovely in their blending of harmonic and chaotic elements, and quite soothing overall. Liked well enough that I even went back and heard their three song EP from last year called Melodion, which I'll also recommend. And this band is new to SRM.

Angel Kaplan - Broken Toys b​/​w Thank You (2010)

So those of you that found pleasure in hearing the full-length album, Pictures from the Past, from Angel Kaplan that I posted up early in the month will be happy to know that there is a 7" that predates it but is mighty fine to hear as well. Moreover it is purchasable in a physical format from Get Hip Records for a few dollars. These two songs are fucking great, the first is like the sweet psych-pop precursor of the later LP and the second an alt-country infused cover of the 1960s group, the Remains.

Friday, September 19, 2014

TURN TO CRIME - Can't Love (2014)

I got a ticket today, going to the suburbs to get my brother to help me out with food to eat, that's how tight my budget has gotten. Of course I got popped in a money grabbing speed trap if the fuckhole city of Ferndale, MI. Go there, get $40 in food and $150 ticket for my troubles, fuck them. There's gonna be some unruly city council meetings in the future if I get my way. Nothing to lose when your broke I guess. Anyhow, I needed something to redeem my faith in the Detroit region, and I've found it in Can't Love by TURN TO CRIME. Let's hope it quells my rage before I get myself arrested... again.

TURN TO CRIME seems to be a getting a reputation, perhaps more than most Detroit bands I've run across in recent months. So for me not to throw in my two cents about this band might be a small and less than noteworthy thing as this group has gotten press from much more significant outlets like Stereogum and The Fader, yet I don't suppose that's any reason to penalize them at all and not to share them as they are meeting the core requirement of this blog. This being as simple as having the album be streamable online and someone that writes here likes it. It isn't an album that's easy to place genre-wise, as it shifts from song to song from post-punk to noisy ambient pop and always has anti-pop irregular catchiness inherited from Lou Reed. If you forced it, you could called Can't Love art-pop, which is code for classily undefinable. As in someone knows how pop music works but can subvert it enough to make it into something more than popcorn. Some of the songs like "Nightmares" are totally noise-filled post-punk, which I do enjoy, however the real brilliance is in the very Velvet Underground-esque songs "Sunday's Cool" and "Forgiveness." I can already hear the out podcast pal Craig saying he'd rather just play VU, but I like to hear something new too, even if it is recalling something old. Everything is a building mound of cultural references and struggles to sort and redefining yourself against and in harmony them. Which I'll keep in mind when I am yelling at suburban officials and know I am hopeless underpowered to succeed. I won't be the first one nor the last.

To be had here:
TURN TO CRIME - Can't Love

Thursday, March 14, 2013

Monocle - Chances Glide (2013)

Dream Pop is an odd thing. Why would anyone want to perpetuate the idea that their music initiates sleep? I enjoy a few ZZZs, but I generally don’t like my music to produce that desired effect.

Thankfully, Monocle is far from a sleep narcotic. Released by the always awesome Australian label Hidden Shoal, the band chases sweeping synth lines with dance centered bass and vocal melodies. This may be Dream Pop, but it would fit well into any party that reaches the 23rd hour and exposes the emotional passion only the evening hours pooled with alcohol can construct. “Chances Glide” only needs a moment’s glance to recognize its pop authenticity, and with that, a simple three minute musical bliss.

Get it here: Monocle - Chances Glide (2013)

Monday, November 12, 2012

Peter Kernel - White Death & Black Heart (2012)

Hailing from Lugano, Switzerland comes the huge sound that is Peter Kernel. This record, released on CD, vinyl, and digital, sounds big. Real big. Try as I might, I cannot get a sound like this out of a 4-track player, and I doubt anyone could. This is loud post-punk for anyone who likes the Dischord sound, with a healthy dose of danceable rhythms underpinning the disorderly guitar riffs. The vocals are political in nature and sing-along centered, with more than a few choruses stuck in my head from just a few listens, as the male and female vocalists mix melodies together seamlessly. I really enjoyed "I'll Die Rich at Your Funeral," which I think walks the line between aggressive post-punk and radio-able rock.


Get it here:
Peter Kernel - White Death & Black Heart (2012)

On se tape l'incruste aux Rockomotives #2 : PETER KERNEL from What comes around... Goes around on Vimeo.

Tuesday, November 8, 2011

Forest Porridge - Thunder Bunder (2008)

This album appears to have been out for a bit, yet I was just sent it. Apparently it was released a few years back and I'm just becoming aware of it. The musician is a friend of mine, so I won't lie and say I have predisposition to have a favorable view toward the album. Therefore you'll just have to trust me when I tell you that this is as good or better than most art-folk album I've been sent. The songs are lo-fi, not flashy but charmingly composed. Lyrically witty and at times instrumentally bizarre, Thunder Bunder makes for an exciting listen throughout. So give my buddy a go and I bet you'll be satisfied.

To be had here:
Forest Porridge - Thunder Bunder