To be had here:
Elmore James - King Of The Slide Guitar: The Fire/Fury/Enjoy Recordings [224 kbps] disc 1
disc 2

I'm stuck on Brazilian music, if you haven't picked that up yet. Perhaps a phase that I'll revisit from time to time in the future, such as my fluxing interest in Finnish avant-garde. However, for now I'm gonna load this blog up with all the Brazilian greats I missed out on being raised in Anglophone America. Nara Leão is just such the artist that can undeniably be considered a great, in fact I read that her 1950s household jam sessions are sometimes cited as a birthplace of bossa nova music. She didn't rest with being on the forefront of one musical advent, as she joined the Tropicália movement in the 1960s. I stress again I haven't any Portuguese language skills, nevertheless I find her voice mesmerizing. You can be sure I'll be hunting down lyrical translations when it is slow at work this week. Anyhow, not as wild and psychedelic as Os Mutantes, but as skillful and lovely. Lastly, while the music might not feel as radical, the songs were written best Tropicália had to offer like Caetano Veloso, Gilberto Gil and Chico Buarque.
"The once and future kings of budget rock." I read that on allmusic year ago and thought it a bold statement, but after listening to the Mummies in the years hence, I'd be inclined to agree. I also gathered that their so vehemently lo-fi that they resist CD releases, though not completely as my long ago post of Never Been Caught attests to, along with a few others. Fuck the Mummies is bootleg disc that compiles some amazing garage rock recordings, including a version of "Land of 1000 Dances." You might recall the Gories on Complete Bandin' Sessions did a cover of that too, which if heard back to back can put me a state of bliss instantly. And get this shit, the second to last track is an entire live set done for a radio station. What more could one ask for? Basically, if you're not down with the Mummies yet you need to be.
Unwilling to let go of the summer and think of coming cold days of autumn, I want to post more Brazilian music. Transa is perhaps my favorite album I've heard by Caetano Veloso, and the one I most frequently recommend to my friends. Not as revolutionary and excitingly eccentric as some of his Tropicália albums, it is a brilliant display of just how good a musician Veloso is regardless of genre or style he's aiming for. The first album he recorded after his exile to England, Transa exhibited some influence from British rock and roll. It doesn't get hard or heavy, rather it is a mellower, paced sound in some songs, but he does sing in English and uses more directly western patterns in some tracks. "Nostalgia" in particular shows this. "It's a Long Way" is an example of how he'd maintained the Tropicália style as well. However, my favorite is "Mora Na Filosofia" which I consider one the most beautiful songs I've ever heard. Naturally, there are political messages to be found by those attuned to such matters, but they're cloaked more heavily than previous songs. After all, he did just return from a self-imposed exile because of the fears of repressions of being outspoken.
The is a Californian musician that comes from the same area as Ty Segall and the Moonhearts in Orange County. He sent me his album to check and share with everybody probably a month ago, but I'm finally doing to it. It is lo-fi rock and roll; I'd say garage but not really heavily punk. While I am aware that making lo-fi productions are by definition anything but the highest quality, this album doesn't embrace that as much as I might've hoped. I mean I want these tracks to pop out and punch my ear drums, but as it is they may be a little flat. Nevertheless, Mr. Johnson shows some true potential to make some great rock and roll, and the songs are rather good. In particular I like "(I'm) Out Of My Mind" and "I Don't Want You." I've already marked down for the next garage rock cassette I make for my walkman. I bet he sounds pretty sweet live, and with any luck he'll capture it in successive releases. Do give him a listen and let me know what you think though.