As a preface to where I am as I listened to this album I'm gonna say I've been having less than ideal conditions concerning my health this week, as I seemingly reacted to something in the water that runs through the rusty old pipes of the bookstore and have had a fucked up tongue days. This means meals are hard to eat and slowly the pain is working its way to my left ear and it is making me have even more socialistic-tinged rants at my boss than I usually do. This has certainly made everyone involved grumpy, possibly me less so than the others around me if I'm honest. Yet the slow crawl toward full convalesce has made me something of a homebody as I eat soft things and take ineffective pills. So to make the best of it as I'm a bit too drowsy to read but too restless to sleep I've been playing video games, or really a video game as I only have a little laptop with enough space for one game. But fuck the music they come up with those, I'm lousy with submitted soundtracks for living out a digital fantasy to.
The Drone Accelerator was by far the very best of these makeshift soundtracks, so much so that I would forget that the video game didn't have improvisational psychedelic free jazz as background music, although the experience has made me question the wisdom of not having this be the case more often. This is seriously some very cool music, and I know this is hard to not make sound pretentious as it is has already involved the term 'free jazz' yet this might lead one to believe there isn't fucking awesome, meandering guitar for prolonged periods. Rest assured it has that shit in spades and it is beautiful thing. It so very much blends that ideas of Pink Floyd space rock with free form experimentation and unhinged jazz ethos that transitions along a spectrum like a crazy asshole on a slide whistle. All right, it is a bit pretentious, but in the most adorable and enjoyable way. I sincerely found this album to be really good, especially the guitar playing that reminded me of a slowed down version of the amazing sounds of Kanoi. Moreover, the whole album does what a good drone, noise or improv album is supposed to achieve, which to stop worrying so much about where all the time is going and sink into the sounds. By the time this album was over I wasn't so bitter about the fact that drinking water was a painful event (a little bitter, I am whining still) and was happy my aching ear could still hear.
This is the debut album by the band as I guess it was recorded in Peru, which is kinda cool and makes me very jealous if they went there to record and aren't there for another reason. It's released by the very solid Tucson, AZ label Sky Lantern Records, but be warned this label has an M.O. that's to sell the cassettes for a reasonable price ($6 in this case) with the digital download accompanying it, but if you want just the digital version it is marked up to the absurd price of $1000. So if you wanna own it I suggest you buy one while they got them, otherwise you'll need to visit the bandcamp page to get your fix.
To be had here: