Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

Sunday, February 21, 2016

EP Grab Bag vol. 109

For like the hundredth time I am way overdue at posting these EPs. I can't really keep a regular schedule at all and I won't make any promises are to how often I'll post anything. Keeping it consistent for months on end was a more tolling experience than I care to continue, and I have already slacked heavily as you might've noticed. So here on out, you get what you get when I feel like getting to it. More than likely it'll be bursts of posts that'll try to hype on the twitter feed as I get time.

To be had here:
Domiciles - Domiciles EP (2015)

A Scottish band from the town of Fife. They play well-polished psychedelic garage rock, by which I mean it all sounds remarkably clean with any lo-fi elements be intentionally preserved. Nothing at all wrong with good production, and the songwriting is stellar. I could imagine this band become very popular if they got the right breaks. Hits a happy middle ground between retro and modern psych-rock, not ignoring the Eastern influence from the earlier decades of the genre. Excellent stuff.

The Raw Nerves - Serious Beef (2016)

A new EP from New Zealanders, the Raw Nerves. This is a band that Amazing Larry wrote up, specifically their self-titled album from 2012. I unfortunately didn't spend much time listening to, yet I am glad to have been reminded to by way of these new songs. Short, loud and fast these tracks will be enjoyed by most any garage punk fan. Making me feel like I have been spending too much time listen to obscure 70s albums and not nearly enough brash, noisy rock from the inbox.

nemanja - nemanja (2015)

From Croatia comes dreamy, psychedelic pop sounds. Listening to this EP reminded me of a bunch of great bands from the former Yugoslavia I've posted and enjoyed for the years, however it in particular reminds me of Pridjevi, who're one of my personal favorites. While not identical, it shares the same Eastern-Western combination with ethereal singing and stunning instrumentation. An amazing example of contemporary dream pop that I most dearly cherish.


Chen Firsel - Sugarush EP (2015)

An Israeli musician who makes home recordings of psychedelic folk-pop. The songs are light and spacey overall, but have an sweet impact. I found the very easy to drift off into a pleasant headspace during, all the while enjoying his melodic guitar playing and nicely atmospheric backgrounds. Additionally, his vocals both in the highly effected and less altered states heard are remarkable. Still somewhat lo-fi throughout but really engaging.


VAPORIZED! - VAPORIZED! (2015)

Heavy grunge rock from Sydney, Australia. The album has a lot in the way of howling vocals and power cords, and it is on the edge of metal, yet I would say they do an amazing job at skirting that line without truly crossing it. Rather these are what the radio would call 'hard rock' songs, but I think grunge is just as a fine term for them (it's what they've tagged themselves as after all). Regardless of what genre you'd put them in, the songs are unpolished and quick, possessing many finer qualities of a good lo-fi show.

Tuesday, June 17, 2014

EP Grab Bag vol. 64

Another collection of diverse and bizarre EPs that I pulled out of the inbox. From Los Angles to Edinburgh, Scotland with serval other locales represented as well. Hell the last one even want to get your help making a movie. So I guess hear this shit and be happier for it.

To be had here:

A demo from an Los Angles band that makes lo-fi rock and roll in some unexplored middle ground between garage and emo. An immediate description might make this band not sound like my cup of tea with the the vocals being heavier than I normally prefer and the flourishes being for reminiscent of emotional hardcore of years ago, but I really enjoyed these songs nonetheless. I wish that the horrible bands I had to hear at the local shows in the Port Huron area could have been anywhere near as good as this group is. Also, I love how they tagged it as “gender is a construct,” how very punk.


An Atlanta-based band put out by Blood Drunk Records. The Joy Kills makes garage punk that has some of the Southern lo-fi soulful sound of Oblivions and Compulsive Gamblers. The singing reminds me of a metal band, for reasons I am not completely sure of, but I like it all the more for it. It is a solid set of four tracks and a good start for this group, though I think it would be great to hear some loud organ in the mix. The label touted their live show, and they’re going on a tour through the southeast US and up to Chicago and Cincinnati this month.


Wozniak is a Scottish band that plays instrumental post-rock with some touches of shoegaze and psychedelia thrown in. Pikes Peak is a dreamy EP that has some really finely done tracks, the production value of this is better than most of the music that comes in, not that it is a negative for those without it. My favorite track is “Columbo's Car” where they cut loose a bit and get a bit heavier, but the single from the EP, “El Maresme” is very alluring as well.




This is some really lo-fi and sleazy punk rock put out by More Power Tapes. It has the raunchy, growling tone of irreverence that I have found appealing in bands such as the Mae Shi, Le Shok and Lake of Dracula. In many ways it brought me right back to my high school years and the loud, rude punk rock that I was enamored with at the time. It is a fine visit back, but I do think these guys could either way towards a more insanity or calm it down and get something even more appealing. The EP is short but won’t say sweet as that isn’t the fucking point.



Another single with a b-side from this reoccurring Grab Bag band, Preludes. Like previous releases this is a touching and sparsely composed couple of songs that aren't quite like anything else I post or listen to. Still I cannot resist writing up these sweet dream pop singles as they put them out. And get this shit, they wanna make a film that is inspired by Shakespeare's A Midsummer Night's Dream and running a kickstarter to gather the funds for it. Seems like it could interesting, perhaps you'll look into it, yes?

Friday, June 13, 2014

Henri Claudel - Technology (2014)

You have got to love how open and appropriating the music community is today. When I first started going to metal/punk shows in the 90s, bands were forced to play with relatively similar acts. Rarely would you get any cross-pollination between music communities. Perhaps it is the remix culture that exists today (and discussed in a previous episode of our podcast) that is responsible for this desire to fuse and borrow from just about every sound on the planet.

I don't know what "Cold Wave" is, but this Scottish band is apparently that. All I know is that it is awesome retro-inspired synth pop that clearly borrows from the past and yet still sounds vibrant and fresh. The awesome Russian label Singapore Sling Tapes has put this out on cassette, which fits this style well. Sure everything is better on cassette, but I could totally see Marty McFly blasting this from his Delorean on one of his time traveling trips. Well my friend, he fucked up the past as a result, and now we have this relic of our possible dystopian future. Highly recommended.

Get it here:
Henri Claudel - Technology (2014)

Monday, November 11, 2013

The Wharves/ The Rosy Crucifixion (2013)



I had never heard of Soft Power Records prior to this submission, but if this Scottish label’s output is as strong as this split, they are to be followed. The Wharves kick off their side of the record with “Thick Syrup,” a rocking number that calls forth images of Sarah Records releases from the past, funneling them through a rock tumbler to give it some weight and thickness. The dual female vocals have a Sleater Kinney sensibility with a few extra doses of pop melody thrown in for good measure. 

I always enjoy having a split release with two very different acts sharing wax, and the Rosy Crucifixion and their dirtier version of Blondie stacks blues-rock riffs on top of a sultry vocal delivery. Smoke filled taverns with musical stages covered by chain-link fence are the venues this music should be played in. Hopefully they get things thrown at them while they play. Based on the tone of their music, I am sure they know how to dish it right back.

Get it here: