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For those that are familiar with the prior output of both Paavoharju and Joose Keskitalo this will have recognizable traits, but it is overlain with one of the more drastic of changes in style I can recall a band undertaking. Essentially, they kept their ethereal, psychedelic folk instrumentation, even retaining the Finnish chanting that made the previous albums so mesmerizing, and laid hip-hop on top. The hip-hop is in Finnish, which is something I've never experienced and can't compare to anything I've ever heard before. It isn't everywhere, they've classily spread it throughout the album and not made it the sole focus, though you will most certainly notice it. At first I was bewildered, but as I kept listening I found myself digging what Paavoharju was up to. It's a ballsy move, and it is rather well executed. It is undeniably a fine example of the Finnish avant-garde to which I am so deeply endeared, and different enough that it has achieved what good avant-garde should, making the listener re-assess their preferences and expand their palate.
To be had here:
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