I have been in a twinkly guitar kick lately. Might be that
my band is finishing up a few new releases, and we definitely leave the twinkly
guitar licks out. Doesn’t mean I don’t dig that type of thing, and Marc does it
well. This surprisingly polished work does evoke some of the prettier Sonic
Youth and Pavement tracks from the 90s, this
is bedroom pop from someone who knows their way around an 8-track. Very
enjoyable stuff, and free to download to boot.
Producing pop-rock in Liverpool must be tough. A lot to live
up to and all. Does the city permeate with Beatles nostalgia, or are young
musicians free to create without the burden of excellence crushing their
creative energy? The Swapsies may not live up to that aforementioned band’s
skill, but they make some great clap-along pop jams. They even throw in a
healthy dose of clapping with the recording to accompany the male/female vocal
back and forth. It is fun, to the point, and need not be tethered to the past.
I love Fugazi. Not only is the band great musically, they
continued to champion and articulate what a DIY ethics could be in music to the
betterment of the world at large. Springtime come from Virginia, and there is
little doubt they have also borrowed a great deal from the Dischord sound.
Heck, they have a Fugazi cover on this 7 inch, which is great as far as I am
concerned. Phat chords powered by Marshall amps and throaty vocals that don’t
sound like high-schoolers trying to sound tough.
We don’t get many releases from North Dokota, and we rarely
get someone name dropping Gorgias the Greek and Albert Camus the absurdist either.
That can’t help but perk my interest, and thankfully the band’s sound is just
as grand. Seamlessly crafted post-rock, these kids don’t let their literary repertoire
get in the way of infectious music. “Banister” is my favorite track off this
record, and while it is free to download, these folks are Kickstarting a vinyl
release if you are inspired to pitch in.
I will be the first to say I don’t know much about the
electro-pop scene, especially the vibrant scene in Europe. I generally like the
music sonically, but the vocals leave me feeling wanting. This group from the
Netherlands is about the same. If they worked on the vocal delivery, this could
be some very enjoyable stuff, but as it is, most of our readers will probably
skip over this single.
I have been a fan of the Oakland label Constellation Tatsu
for nearly a year, and they put out some great collage centered electronic experimentation.
These people take this stuff seriously. This is not throw away music or
attempts at pop music that turned out too messy to release. These are full-fledged
ideas and rhythms that have captured my attention and appreciation even on my
third listen this evening. Highly recommended stuff.
Woahhhh cool! Didn't even know you guys posted this until I looked at my bandcamp buzz/visits report!! Thank you SO much!!! - N&tJ
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